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Moveable Chord Shapes - a System

Lesson 2/69 | Study Time: 5 Min
Moveable Chord Shapes - a System

Moveable Chord Shapes - a System

To become a good guitar player, it is important to have a system for identifying moveable chord shapes all over the fretboard in any key. Most moveable chord formations are closely related to the five basic major chord shapes which are shown below.

You already know the E form bar chord (root 6) and the A form bar chord (root 5). The C, G and D chords can also be used as the basis for bar chords. There are also many other moveable chord shapes based on these 5 shapes which are useful for Blues playing. The five basic bar chord forms are shown below. Notice the order of these forms - C, A, G, E and D. This order is easy to memorize if you think of the word caged.

When these five forms are placed end to end in the one key, they cover the whole fretboard. E.g. if you start with and open C chord, the A form bar chord at the 3rd fret is also a C chord. The root note on the 5th string is shared by both chord forms. The A form chord then connects to a G form C chord beginning on the 5th fret. The root note on the 3rd string is shared by both chord forms. The G form then connects to an E form C chord at the 8th fret. This time there are two root notes shared by both forms - one on the 6th string and one on the 1st string .The E form then connects to the D form at the 10th fret, this time the shared root note is on the 4th string. To complete the pattern, the D form connects back to the C form at the 12th fret. The shared root note between these two forms is on the 2nd string. This C form is one octave higher than the open C form. After this, the whole pattern repeats. The example below demonstrates all five forms being played as C chords.

Peter Gelling

Peter Gelling

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Class Sessions

1- Scale Degrees 2- The Slide 3- Left Hand Technique 4- Bending Notes 5- The Pentatonic Scale 6- The Release Bend 7- Vibrato 8- Moveable Chord Shapes - a System 9- Turnarounds 10- Moveable Shuffle Patterns 11- The Trail Off 12- 7th Bar Chords 13- Moving to Different Keys 14- Five Forms of the Pentatonic Scale 15- The Triplet 16- INTRODUCTION 17- The Trill 18- Arpeggios 19- The 12 Bar Blues Progression 20- Bar Chords 21- Twelve Eight Time <span class="symbolA">+</span> 22- The Shuffle 23- The Blues Scale 24- Moving Between Forms 25- The Whip 26- Enharmonic Notes 27- Ldentifying Scale Patterns 28- Open Position Blues Scale 29- Vibrato With Bent Notes 30- Chord Diagrams 31- Analyzing What You Play 32- Minor Arpeggios 33- Slight Bends 34- The Rake 35- The Ascending Slide 36- D Form (Pattern 2) 37- The Hammer-on 38- Chords I IV and V in all Keys 39- Rhythm Notation 40- Two Note Chords 41- Left Hand Technique 42- Minor Bar Chords 43- Moveable 7th Chord Forms 44- Sixteenth Notes 45- Voicings 46- Thirty Second Notes 47- Fretboard Diagrams 48- Dominant 7th Arpeggios 49- Root Six Bar Chords 50- Pentatonic Blues Solo 51- C Form (Pattern 3) 52- The Pull-off 53- The Descending Slide 54- Right Hand Damping 55- Swing Rhythms 56- A Final Solo 57- Tablature 58- Combining Scales and Arpeggios 59- The Valued Slide 60- A Form (Pattern 4) 61- Notes on the Sixth String 62- Super-imposing Chord Forms 63- G Form (Pattern 5) 64- Tablature Symbols 65- Percussive Strumming 66- Technique 67- Root 5 Bar Chords 68- Notes on the Fifth String 69- Changing Between Shapes

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