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Sol-Fa Syllables

Lesson 4/77 | Study Time: 5 Min
Sol-Fa Syllables

Sol-Fa Syllables

The following series of short exercises should help you become more familiar with the sounds that can be derived from the major scale. Each of them uses the syllables do, re, mi, fa, so, la, ti, and do again. These are called sol-fa syllables.

They are useful for becoming familiar with all the pitches of a major scale, and their positions in relation to the foundation note of the scale (do). The sol-fa syllables are also useful for practicing many of the basic sounds used in singing.

As you sing each of these exercises, remain as relaxed as possible and sing with an open flowing sound. Keep your posture straight and focus your voice straight ahead as if you were singing into a microphone at a comfortable height.

Do not "reach" for any of the notes as they get higher or lower, but simply allow the sounds to come out naturally. You may not be able to sing these exercises easily to begin with. Be patient and practice them regularly, but only for short periods of time at each session. There are three ways to learn these exercises.

  • Sing from the written music. This is called sight singing and takes quite a while to develop. To learn to sight sing well, it is best to work with a teacher.
  • Sing from the sol-fa syllables. You have probably heard them before and may find them a useful guide to the pitch of each note relative to do.
  • Listen to the recording and imitate the pitches until you have them all memorized.

Now try some short melodies using sol-fa syllables. They contain syncopated rhythms created by the use of rests and ties. If you have trouble keeping accurate time while you are singing, try clapping the rhythms while counting the beats out loud and tapping your foot. This is a great way to practice any rhythm you have trouble with.

Peter Gelling

Peter Gelling

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Class Sessions

1- Understanding Music 2- The Major Scale 3- Voice Types and Ranges 4- Sharps (<span class="symbolA">#</span>) and Flats (<span class="symbolA">b</span>) 5- The Tie 6- Rests 7- The Triplet 8- Sixteenth Notes 9- Dynamics 10- Intervals 11- Minor Keys and Scales 12- Transposing 13- Performing In Public 14- How We Sing 15- Slurs 16- Interval Distances 17- Breathing 18- The Sixteenth Note Triplet 19- Swing Rhythms 20- Cut Common Time (<span class="symbolA">W</span>) 21- The Chromatic Scale 22- Harmony and Chords 23- Octave Displacement 24- Overcoming Nerves 25- How to Find Your Voice Range 26- Syncopation 27- The Importance of Timing 28- How to Read Music 29- Call and Response 30- Simple and Compound Time 31- Identifying Intervals by Ear 32- Chord Progressions 33- The Keyboard 34- Phrasing and Expression 35- Interpretation and Improvisation 36- When to Breathe 37- Posture 38- Eye Contact 39- The Lead-In 40- Sol-Fa Syllables 41- Practical Use of Enharmonic Notes 42- Instinct and Training 43- Matching Pitches 44- Keys 45- Moving Between Registers 46- Chord Symbols 47- Arpeggios 48- Repetition and Variation 49- Stage Presence and Stage Craft 50- Accidentals 51- Blues Singing 52- Rhythm Training 53- Harmonizing Melodies 54- The Language of Rock 55- Developing Your Own Style 56- Vibrato 57- Relative Minor Keys 58- The Octave 59- The Key of C Major 60- The Blues Scale 61- A Word About Pitch 62- Matching Pitches and Rhythms 63- Warming Up 64- Common Progressions 65- Singing Scale Degrees 66- Vocal Range 67- Looking After Your Voice 68- Timbre 69- Microphones 70- Pre-Hearing Notes 71- Microphones for Performing Live 72- Common Problems 73- Studio Microphones 74- Registers 75- Microphone Technique 76- Working With A Teacher 77- Recording

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