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Holding the Drum Sticks

Lesson 6/62 | Study Time: 5 Min
Holding the Drum Sticks

Holding the Drum Sticks

There are two accepted ways of holding the sticks, they are :

  • The Traditional Grip (Photo. 1).
  • The Matched Grip (Photo. 2).

The Traditional Grip

The right hand stick is held between the inside of the thumb and first joint of the index finger (about 1/3 of the way down from the butt of the stick). The remaining fingers are wrapped lightly around the stick (Photo. 1).

To make a clean tap with the right hand you must move your wrist in a downward motion allowing the tip of the stick to strike the snare drum cleanly and then bring it back up to its original position (Photo 1a, b, c). By repeating this you will soon develop a smooth right hand action.

The left hand stick is held deep in the crotch of the thumb and first finger. it rests between the second and third finger, between the first and second joints (about 1/3 of the way down from the butt of the stick) (Photo. 1).

To make a clean tap with the left hand you must move your wrist and forearm in an inward and downward motion. allowing the tip of the stick to strike the drum cleanly and then bring it back to its original position (Photos. 1d, 1e, 1f). By repeating this you will soon develop a smooth left hand action and be ready to proceed to more snare drum work.

The Matched Grip

The right and left hand hold the sticks in exactly the same way as the right hand in the traditional grip (Photo. 2).

To make a clean tap with either hand you can repeat the stick movements in (Photos. 1a, 1b, 1c).

The matched grip is the style commonly used by rock drummers as it feels natural and more comfortable to play. The traditional grip is widely used by jazz, military band and orchestral drummers.

Andy Griffiths

Andy Griffiths

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Class Sessions

1- The Bossa Nova 2- INTRODUCTION 3- Time Signatures - Simple and compound time 4- Rudiment No. 7<br> The Single Paradiddle 5- Rolls 6- Rudiment No. 10<br> The Seven Stroke Roll 7- Rudiment No. 12<br> The Ten Stroke Roll 8- Rudiment No. 14<br> The Thirteen Stroke Roll 9- Rudiment No. 16<br> The Double Paradiddle 10- Rudiment No. 18<br> The Drag (or ruff) 11- Rudiment No. 23<br> The Single Ratamacue 12- The Four Stroke Ruff 13- <span class="symbolA">+</span> Time 14- Latin American Beats 15- The Mambo 16- Rudiment No. 4<br> The Flam Tap 17- Introduction to Jazz and independence 18- Advanced Independence Studies 19- Jazz Fills Using The Swing Beat 20- Rock Beats Using Sixteenth Notes On The Hi-hat or Cymbal in <span class="symbolA">*</span> Time. 21- Disco Beats 22- Disco Beat Variations 23- LESSON FORTY-SIX 24- Rock Beats Using Sixteenth Note Triplets 25- Syncopated Rock Beats 26- Additional Beat Studies 27- Introduction Fills 28- Tuning 29- Groups 30- GLOSSARY OF MUSICAL TERMS 31- Drum Rudiments 32- Right and Left Hand Exercises 33- Quarter Notes and Rests 34- Eighth Notes 35- LESSON FOUR 36- Snare Drum Studies 37- Syncopation 38- <span class="symbolA">^</span> Time 39- Sixteenth Notes (Or Semi Quavers) 40- Exercises Around The Drums 41- Fills 42- Eighth And Sixteenth Note Combinations 43- Advanced Fills 44- Dotted Eighth And Sixteenth Notes 45- Rudiment No. 2<br> The Single Stroke Roll 46- Accents 47- Sixteenth Note 48- The Triplet 49- The Shuffle Rhythm 50- Quarter Note Cymbal Patterns 51- Rhythm Review 52- Dotted Eighth and Sixteenth Note Rock Beats 53- Sixteenth Note Rests 54- Dotted Notes 55- Rudiment No. 17<br> The Flam paradiddle-Diddle 56- Troubleshooting 57- Copying Beats And Fills From Recordings 58- Seating 59- Choosing The Drum Sticks 60- Practice Pads 61- Holding the Drum Sticks 62- Rudiments of Music

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