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Concept 3 – The Physics of Volume

Lesson 5/57 | Study Time: 5 Min
Course: Drum Method
Concept 3 – The Physics of Volume

Concept 3 – The Physics of Volume

Being able to play using a large dynamic range (varying degrees of volume) makes our playing more interesting, musical and exciting to listen to. Understanding what is required technically to increase and decrease volume therefore becomes important.

The physics equation relevant to volume is:

To make this relevant to us we could say:

Thus if we increase the weight and speed of the stick, the volume increases.

Increasing the Weight of the Stick: -

The only way to increase the weight of the stick is to add weight to it. This is achieved by changing the type of stroke we use to propel the stick (explained earlier in "Characteristics of the arm, wrist and finger strokes").

For example: If we use an arm stroke we have the weight of the stick plus the weight of some of the arm. If we use a wrist stroke we have the weight of the stick plus the weight of the hand. Of the two, the arm stroke would be heavier therefore creating more volume.

Note: It is possible to play all the different strokes (arm, wrist and finger) without changing the volume. You decide how much weight you add to the sticks by adjusting your technique. However, if you transferred the maximum amount of weight to the sticks for each of the strokes, the above holds true.

Increasing the Speed of the Stick: -

When playing at a fixed tempo, the only way to increase the speed of the stick is by changing the height of the stick. If the stick is traveling a greater distance in the same amount of time, the speed must be greater. The greater the speed, the greater the volume.

In summary two things affect volume at a fixed tempo. Firstly and most importantly, the height of the sticks. Secondly, the type of stroke (arm, wrist or finger) used and how much weight is added to the stick.

Craig Lauritsen

Craig Lauritsen

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Class Sessions

1- The 3 Strokes of Stick Propulsion 2- INTRODUCTION 3- A Basic Rock Beat 4- Rudiments of Music 5- Explanation of Notation 6- Characteristics of the Arm, Wrist and Finger Strokes 7- Fills 8- Note Values 9- Equipment 10- Exercises for Developing the 3 Strokes of Stick Propulsion 11- Understanding Note Values 12- Bass Drum Variations 13- Concept 3 – The Physics of Volume 14- Concept 4 – Co-ordinating "e’s" and "a’s" 15- Sight Reading Exercises 16- Using the Metronome 17- Repeat signs 18- Bass Drum Variations 19- Upstrokes and Downstrokes 20- Holding the Drum Sticks 21- First and Second Time Bars 22- Snare Drum Variations 23- 3 Steps to Stick Control 24- The Traditional Grip 25- Quarter Note Snare Drum Pulse 26- Rudiments 27- The Matched Grip 28- The Dot 29- Combined Snare Drum and Bass Drum Variations 30- Rolls 31- Practice Suggestions 32- The Tie 33- Hi-hat Openings 34- Triplet Stickings 35- Concept 1 – Minimalization 36- Grace Notes and Principle Notes 37- Syncopation 38- Sixteenth Note Hi-hat Patterns with Bass Drum Variations 39- Stickings Around the Kit 40- Sixteenth Note Hi-hat Patterns with Combined Snare Drum and Bass Drum Variations 41- Joining Stickings Together 42- Eighth and Sixteenth Note Combinations 43- Triplets 44- Hi-hat Openings 45- Dynamics 46- Accent Studies 47- Concept 2 – Playing ¼ Note Triplets 48- Offbeat Snare Drum Patterns 49- Additional Hi-hat and Ride Cymbal Variations 50- Shuffle Patterns 51- Swing 52- Go-go/Hip-hop 53- Latin American 54- Reggae 55- Funk Patterns 56- Odd Time 57- Solos

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