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The Pull-Off

Lesson 3/95 | Study Time: 5 Min
Course: Acoustic Guitar
The Pull-Off

The Pull-Off

The pull-off is like a reverse hammer-on, i.e., the first note is picked and the second note sound is created by the finger pulling off the string.

In the following example the D note is played by the middle (m) finger and the C note sound is created by the third finger pulling off the string. The pull-off is indicated by the letter P and a curved line. Hammer-ons and pull-offs are examples of slurs. Slurs are used to give notes a more connected sound.

The Pull-off

Starting position — D note

After Pull-off — C note

To gain control of hammer-ons and pull-offs, it is a good idea to practice them with scales. The following example uses the E minor pentatonic scale and features hammer-ons when ascending and pull-offs when descending. Practice it slowly until you can sound all the notes clearly and evenly without extra unwanted strings sounding.

The next step is to add some slurs to songs or instrumental pieces as shown in the following example which is fingerpicked. Take care with the fingering here. The progression is based around a D major chord.

  • D/C indicates a D chord with a C bass note (played by the second finger of the left hand).
  • D/B indicates a D chord with a B bass note (played by the first finger of the left hand).
  • The p finger also alternates with a bass note on the 3rd string.

Fingerpicking Pattern

This progression is in the key of D major as indicated by the key signature which contains two sharps.

Peter Gelling

Peter Gelling

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Class Sessions

1- Learning All the Notes 2- Minor Chords 3- Rests 4- Seventh Chords 5- Fingerpicking 6- The Major Scale 7- INTRODUCTION 8- Bass Note Rhythm Patterns 9- Sharp Signs 10- Silent Strums and Continuous Rhythms 11- Flat Signs 12- The Three Four Time Signature 13- Bass Runs 14- Scale Tone Chords 15- Minor Keys and Scales 16- Relative Keys 17- Suspended Chords 18- Right Thumb And Fingers Together 19- The Hammer-On 20- The Triplet 21- Sixteenth Notes 22- How to Tune Your Guitar 23- The Eighth Note 24- Chords 25- How to Read Music 26- Notes on the First String 27- Notes on the Fourth String 28- Transposing 29- <span class="symbolA">^</span> Time Rhythm Patterns 30- Playing Notes Together Fingerstyle 31- The F Sharp Note (F<span class="symbolA">#</span>) 32- Notes on the Second String 33- Strumming 34- The Note B Flat (B<span class="symbolA">b</span>) 35- Sharps 36- The Half Bar 37- Syncopation 38- Tablature 39- The Harmonic Minor Scale 40- Add Nine Chords 41- Clawhammer Style 42- The Pull-Off 43- The Minor Pentatonic Scale 44- Sixteenth Note Triplets 45- Using an Electronic Tuner 46- 12 Bar Blues 47- C Major Scale In Open Position 48- Alternate Picking 49- Notes on the Fifth String 50- Picking With Your Thumb 51- Visualizing 52- The Lead-In 53- Notes on the Sixth String 54- The Chromatic Scale 55- Sequences 56- Chord Shapes 57- Rests With Chord Playing 58- The Melodic Minor Scale 59- Music Notation 60- Slash Chords 61- Dropped D Tuning 62- Swing and Shuffle Rhythms 63- Acoustic Guitars 64- The Slide 65- Major Chord Formations 66- Fingerpicking Patterns In <span class="symbolA">^</span> Time 67- The F Major Scale 68- Fingerpicking Pattern 1 69- Playing Air 70- Bass Note Rhythm Patterns In <span class="symbolA">*</span> Time 71- The G Major Scale 72- Notes on the Third String 73- Adding Scale Tones to Chords 74- The Key of C Major 75- Pivot and Guide Fingers 76- The Octave 77- Two Note Chords 78- How to Hold the Guitar 79- Key Signatures 80- Flats 81- Learning the Notes on the Staff 82- Staccato 83- Alternating Bass Notes 84- Using a Pick 85- Arpeggios 86- Accompanying a Melody 87- Fingering Numbers in Traditional Notation 88- Chord Symbols 89- Enharmonic Notes 90- Rhythm Patterns 91- Fingerpicking Pattern 2 92- Right Hand Position 93- Eighth Note Strumming Rhythms 94- Fingerpicking Accompaniment 95- Left Hand Technique

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