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Fingerpicking Pattern Two-A

Lesson 4/79 | Study Time: 5 Min

Course: Fingerpicking Method

Fingerpicking Pattern Two-A

Fingerpicking Pattern Two-A

Pattern 2-A

Repeat this example using fingerpicking pattern 2-A p a m a. You can also practice pattern two and two-A using the third and second strings.

Remember that all of the fingerpicking patterns in this book can be applied to any chord progression, so you should practice patterns 2 and 2-A using the progression in Lesson One. You should also practice these patterns against any of the songs at the end of this section.

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Gary Turner and Brenton White

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1- Triplets 2- Arrangements 3- Fingerpicking Pattern Six 4- Fingerpicking Pattern Eight 5- LESSON EIGHT 6- Bass Note Runs 7- Fingerpicking Pattern Twelve 8- Fingerpicking Pattern Seven in <span class="symbolA">)</span> Time 9- The Pinch Technique 10- Fingerpicking Pattern Four 11- The Hammer-On 12- The Hammer-On 13- SECTION TWO 14- Clawhammer 15- Clawhammer - The Pinch Technique 16- 6-String Clawhammer 17- Clawhammer in <span class="symbolA">^</span> Time 18- Staccato Bass 19- Fingerpicking Pattern One 20- INTRODUCTION 21- GLOSSARY OF MUSICAL TERMS 22- Song List 23- Transposing 24- The Rudiments of Music 25- SECTION ONE 26- Tuning 27- The Slide Finger 28- SUPPLEMENTARY PIECES 29- Fingerpicking Pattern Three 30- Alternating Bass 31- Group One 32- Approach to Practice 33- Note Values 34- Step 1 Write Down the Melody 35- The Capo 36- Progression One 37- Turnarounds 38- Blues Progression 39- Combining Hammer-On and Flick-Off Techniques 40- Fingerpicking Pattern Seven 41- Turnaround in C 42- Fingerpicking Pattern Two 43- Fingerpicking Pattern Five 44- Section One Summary 45- Acoustic Guitars 46- Time Signatures 47- Group Two 48- Fingerpicking Pattern One-A 49- Step 2 Add the Root Note in the Bass 50- Fingerpicking Pattern Two-A 51- Progression Two 52- Songs 53- Seating 54- Step 3 Add a Harmony* Note to the Bass (A Middle Voice) 55- Notes in the Open Position 56- Progression Three 57- Right Hand Finger Names 58- Step 4 Add a Harmony* Note to the Bass (A Middle Voice) 59- Chromatic Notes 60- Progression Four 61- Progression Five 62- The Position of the Right Hand 63- Notes on the Guitar Fretboard 64- Step 5 Combine the Bass and Middle Voices 65- Progression Six 66- Step 6 Select a Different Bass Note 67- Tablature 68- The Freestroke 69- The Rest Stroke 70- Step 7 Syncopate the Bass 71- Progression Seven 72- Right Hand Fingernails 73- Step 8 Harmonize With Thirds: 74- Progression Eight 75- Step 9 Add a Third Harmony Above the Melody 76- Progression Nine 77- Progression Ten 78- Step 10 A Final Arrangement 79- Alternative Arranging