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Transposing

Lesson 2/79 | Study Time: 5 Min
Transposing

Transposing

The term Transposing is used to describe the process whereby a progression (or song) is changed from one key to another. This is done for two main reasons:

  • Singing - to sing the whole song at a lower or higher pitch (depending on the singer’s vocal range).
  • Ease of playing - because of the musical structure of the guitar, some keys are easier to play in than others (e.g., beginning students may not be able to play a song in the key of say Eb, but could perhaps play it in the key of C).

Consider the following turnaround in the key of C:

If you needed to transpose this progression into the key of G, the following method may be used:

1. Write out the C chromatic* scale.
2. Write out the G chromatic scale, with each note directly below its counterpart in the C chromatic scale, as such:

3. When the given progression is transposed to the key of G, the first chord, C major, will become G major. This can be seen by relating the two chromatic scales via arrow one.

4. The second chord of the progression, Am, will become Em (arrow two). Although the chord name will change when transposing, its type (i.e., major, minor seventh etc.) will remain the same.

5. The complete transposition will be:

Key of C:

Key of G:

Play both progressions and notice the similarity in sound.

* See Glossary

In the early stages you will mainly transpose for ease of playing, and thus the easiest keys for a song to be transposed into are C, G and D (for major keys) and Am, Em and Bm (for minor keys). Remember to write the second chromatic scale directly under the first, note for note, in order to transpose correctly, Try transposing the previous progression into the key of D major.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Triplets 2- Arrangements 3- Fingerpicking Pattern Six 4- Fingerpicking Pattern Eight 5- LESSON EIGHT 6- Bass Note Runs 7- Fingerpicking Pattern Twelve 8- Fingerpicking Pattern Seven in <span class="symbolA">)</span> Time 9- The Pinch Technique 10- Fingerpicking Pattern Four 11- The Hammer-On 12- The Hammer-On 13- SECTION TWO 14- Clawhammer 15- Clawhammer - The Pinch Technique 16- 6-String Clawhammer 17- Clawhammer in <span class="symbolA">^</span> Time 18- Staccato Bass 19- Fingerpicking Pattern One 20- INTRODUCTION 21- GLOSSARY OF MUSICAL TERMS 22- Song List 23- Transposing 24- The Rudiments of Music 25- SECTION ONE 26- Tuning 27- The Slide Finger 28- SUPPLEMENTARY PIECES 29- Fingerpicking Pattern Three 30- Alternating Bass 31- Group One 32- Approach to Practice 33- Note Values 34- Step 1 Write Down the Melody 35- The Capo 36- Progression One 37- Turnarounds 38- Blues Progression 39- Combining Hammer-On and Flick-Off Techniques 40- Fingerpicking Pattern Seven 41- Turnaround in C 42- Fingerpicking Pattern Two 43- Fingerpicking Pattern Five 44- Section One Summary 45- Acoustic Guitars 46- Time Signatures 47- Group Two 48- Fingerpicking Pattern One-A 49- Step 2 Add the Root Note in the Bass 50- Fingerpicking Pattern Two-A 51- Progression Two 52- Songs 53- Seating 54- Step 3 Add a Harmony* Note to the Bass (A Middle Voice) 55- Notes in the Open Position 56- Progression Three 57- Right Hand Finger Names 58- Step 4 Add a Harmony* Note to the Bass (A Middle Voice) 59- Chromatic Notes 60- Progression Four 61- Progression Five 62- The Position of the Right Hand 63- Notes on the Guitar Fretboard 64- Step 5 Combine the Bass and Middle Voices 65- Progression Six 66- Step 6 Select a Different Bass Note 67- Tablature 68- The Freestroke 69- The Rest Stroke 70- Step 7 Syncopate the Bass 71- Progression Seven 72- Right Hand Fingernails 73- Step 8 Harmonize With Thirds: 74- Progression Eight 75- Step 9 Add a Third Harmony Above the Melody 76- Progression Nine 77- Progression Ten 78- Step 10 A Final Arrangement 79- Alternative Arranging

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