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Learning Minor Scales in All Keys

Lesson 3/209 | Study Time: 5 Min
Course: Complete Guitar
Learning Minor Scales in All Keys

Learning Minor Scales in All Keys

By following the formula for each type of minor scale, either by scale degrees or pattern of tones and semitones, it is possible to create any of the minor scales from any starting note. For example, if you know that the natural minor scale contains flattened 3rd, 6th and 7th degrees and you start with the note C, you would come up with the following notes, forming the C natural minor scale.

This example demonstrates a melody derived from the C natural minor scale.

If you know that the harmonic minor scale contains flattened 3rd, and 6th degrees, but a natural 7th degree, all you have to do to change the natural minor to the harmonic minor is sharpen the 7th degree by a semitone. Once again if you start with the note C, you would come up with the following notes -

Here is a melody derived from the C harmonic minor scale.

To change the harmonic minor to an ascending melodic minor you need to sharpen the 6th degree by a semitone. Starting with the note C, you would come up with the following notes.

The Classical form of the descending melodic minor is identical to the natural minor. To become familiar with the notes of minor scales in all keys, it is important to write out the three types of minor scales starting on each of the 12 notes of the chromatic scale.

The following example is a melody derived from the C melodic minor scale.

It is also important to be able to transpose melodies in minor keys. The process is the same as for major keys - write the scale degrees under the melody notes, and then work out what notes those degrees equate to in the key you want to transpose to. Just say you wanted to transpose the previous example to the key of A minor. First write out the notes of the melodic minor scales of both C minor and A minor with their scale degrees.

Then work out the degrees of the melody and write them out again in the key of A minor as shown in the following diagram.

Here is the same melody transposed to F minor. The key signature of F minor contains four flats, but the sixth and seventh degrees of the melodic minor are raised, so the notes D and E will be naturals. Remember to learn the notes of the scale first:

Then work out the degrees of the melody, and write them out again in the key of F minor.

Gary Turner and Peter Gelling

Gary Turner and Peter Gelling

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Class Sessions

1- INTRODUCTION 2- LESSON ONE 3- Playing Single Notes (Picking) 4- The C Major Chord 5- Notes on the 1st String 6- The Eighth Note 7- Eighth Note Strumming Rhythms 8- A Major Chord 9- Notes on the 4th String 10- Notes on the 5th string 11- Fingerpicking 12- The Major Scale 13- The Three Four Time Signature 14- Bass Note Rhythm Patterns 15- Sharp Signs 16- Silent Strums And Continuous 17- Flat Signs 18- Learning All The Notes 19- More About Major Scales 20- More on Keys And Key Signatures 21- How to Learn a New Key 22- Transposing 23- Minor Keys And Scales 24- Simple And Compound Time 25- Relative Keys 26- Intervals 27- Understanding Chords 28- Chord Construction—Triads 29- Scale Tone Chords 30- Bass Runs 31- Minor Key Scale Tone Triads 32- Right Thumb and Fingers Together 33- Suspended Chords 34- New Topic 35- Strumming Two Strings Together 36- Dominant 7th Chords 37- Seventh Chord Types 38- Bar Chords 39- Learning the Whole Fretboard 40- Adding Chromatic Notes to Keys 41- The Minor Pentatonic Scale 42- The Triplet 43- More About 12 Bar Blues 44- Sixteenth Notes 45- Slurs 46- Identifying Rhythms 47- The Slide 48- Movable Chord Shapes in Five Forms 49- Bending Notes 50- Vibrato 51- Moving to Different Keys 52- Analyzing What You Play 53- Five Forms of The Pentatonic Scale 54- The Blues Scale 55- Twelve Eight Time ( <span class="symbolA">+</span> ) 56- Glossary of Musical Terms 57- Acoustic Guitars 58- The G Major Chord 59- Notes on the 3rd String 60- The Pivot 61- Alternate Picking 62- 12 Bar Blues 63- Minor Chords 64- Ledger Lines 65- Picking With Your Thumb 66- The Octave 67- <span class="symbolA">^</span> Time Rhythm Patterns 68- Playing Notes Together Fingerstyle 69- The F Sharp Note (F<span class="symbolA">#</span>) 70- Rhythms 71- The Note B Flat (B<span class="symbolA">b</span> ) 72- Tones And Semitones 73- The Key Cycle 74- The Natural Minor Scale 75- Learning Minor Scales in All Keys 76- Interval Qualities 77- Fingering Variations 78- Augmented And Diminished Chords 79- The Major Key Triad Pattern 80- Slash Chords 81- Clawhammer Style 82- Add Nine Chords 83- Power Chords 84- The Half Bar 85- Major Seventh Chords (Maj7) 86- Left Hand Technique 87- Notes on the Guitar Fretboard 88- Riffs 89- Swing Rhythms 90- Chords I IV and V in all Keys 91- Using 16th Notes With Chords 92- The Hammer-on 93- The 9th Chord 94- Pattern 1 Extension 95- Movable 7th Chord Forms 96- Licks Using Bends 97- Pick Tremolo 98- Identifying Scale Patterns 99- New Techniques - The Rake And The 100- 16th Notes in <span class="symbolA">+</span> Time 101- Electric Guitars 102- Chord Diagrams 103- Notes on the 2nd String 104- Rests 105- Tablature Size And Style 106- Turnaround Progressions 107- Notes on the 6th String 108- Fingerpicking Pattern 1 109- C Major Scale in Open Position 110- Fingerpicking Patterns in <span class="symbolA">^</span> Time 111- Bass Note Rhythm Patterns in <span class="symbolA">*</span> Time 112- The G Major Scale 113- Silent Strum Symbols 114- Left Hand Fingering Numbers 115- Sharps 116- Major Scales in All Keys 117- The Harmonic Minor Scale 118- Table of Minor Scales 119- Interval Distances 120- Rhythm Notation 121- Primary Chords 122- Chords in Other Minor Keys 123- Adding Scale Tones to Chords 124- Movable Power Chords 125- Minor Seventh Chords (m7) 126- Root 6 Bar Chords 127- Notes in More than one Place 128- The Shuffle 129- Pentatonic Blues Solo 130- Common 16th Note Figures 131- The Pull-off 132- Developing Rhythmic Control 133- The Quick Slide 134- Voicings 135- The Release Bend 136- Double Notes 137- Blues Scale Forms 138- A Final Solo 139- Strings 140- The Seventh Chord 141- Rhythm Patterns 142- The Lead-In 143- Alternating Bass Notes 144- Sequences 145- Key Signatures 146- Syncopation 147- The F Major Scale 148- The Chromatic Scale 149- The Melodic Minor Scale 150- Finding Intervals on The Fretboard 151- Arpeggios 152- Harmonizing Melodies 153- Harmonic Minor Scale Tone Chords 154- Right Hand Damping 155- Minor Seven Flat Five Chords (m7 <span class="symbolA">b</span>5) 156- Notes on The Sixth String 157- Position Playing, Position Indicators 158- Slurs Using Open Strings 159- Twelve Note Positions For Triplets 160- Licks Using The Slide 161- Superimposing Chord Forms 162- Licks Using Release Bends 163- Playing With Other Musicians 164- Tuning Your Guitar 165- Slide Finger 166- Fingerpicking Pattern 2 167- The Key of C Major 168- Fingerpicking Pattern 5 169- Syncopated Bass Note Rhythms 170- Flats 171- Identifying Intervals by Ear 172- Playing Arpeggios 173- Common Progressions 174- Fingering Numbers in Traditional Notation 175- Rock n Roll Chords 176- Diminished 7th Chords (dim, dim7 or <sup>o</sup>7) 177- Bar Chord Indicators 178- Unison Notes, String Markings ( ) 179- The Quarter Note Triplet 180- Swinging 16th Notes 181- Movable Minor Chords 182- The Quick Bend 183- Jam Along Progressions 184- How to Read Music 185- Chord Progressions 186- Fingerpicking Accompaniment 187- Bass Note Rhythm Variations 188- Enharmonic Notes 189- Chord Shapes 190- Melodic Minor Scale Tone Chords 191- A Rock Chord Shapes 192- Percussive Strumming 193- Higher And Lower Octaves of Notes 194- 16 Positions For Sixteenth Notes 195- Sliding Chords 196- Listening 197- Music Notation 198- D Rock Chord Shapes 199- Root 5 Bar Chords 200- Supplementary Pieces 201- How to Hold the Guitar 202- E Rock Chord Shapes 203- Notes on The Fifth String 204- Movable Chord Shapes 205- Right Hand Position 206- Changing Between Shapes 207- Chord Formula Chart 208- Left Hand Position 209- Left Hand Placement

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