Approach to Practice
It is better to practice in short sessions, rather than for long periods without a break. You will retain more information if you have a rest between practice sessions. E.g., your learning will be more effective if you practice for half an hour in the morning and half an hour in the afternoon, than if you practice for one hour straight in the afternoon.
Class Sessions
1- Flat Signs
2- Turnaround Progressions
3- The Natural Sign
4- The D Minor Chord (Dm)
5- The B Seventh Chord (B7)
6- The Note Middle C
7- The E Minor Chord (Em)
8- The A Minor Chord (Am)
9- The Note F Sharp (in the first space)
10- The F Major Scale
11- The Note E
12- The F Chord
13- 12 Bar Blues
14- The Note B (Below Middle C)
15- The A Seventh Chord (A7)
16- The Low G Note
17- The E Chord
18- GLOSSARY OF MUSICAL TERMS
19- Bass Note Picking
20- The A Chord
21- INTRODUCTION
22- Chord Chart
23- The C Major Scale
24- Alternative Chord Fingerings
25- Accidentals
26- Minor Keys
27- 12 Bar Blues in G – Variation
28- Alternative Chord Shapes
29- Continuous Right Hand Movement
30- Alternate Bass Note Picking
31- Approach to Practice
32- The Key of C Major