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Using Pattern 1

Lesson 4/73 | Study Time: 5 Min
Using Pattern 1

Using Pattern 1

In Pop, Rock and Country music there are three main types of chord progressions that songs are based upon, i.e. Blues progressions, minor key progressions and major key progressions. Pattern 1 can be used to improvise against all of these progressions but it is necessary to use it in the correct position on the fretboard.

Minor Pentatonic Scale

For improvising against most progressions, Pattern 1 commences on the same fret as the key note on the 6th string. When pattern 1 commences on the same fret as the key note it is called a minor pentatonic scale. The minor pentatonic scale can be used against Blues, minor key and major key progressions as shown in the following table.

For all three examples in the table above, if pattern 1 is played in the 5th position in the key of A, it is called the A minor pentatonic scale and the key note (often called the tonic, or the root note) is the first note (A). On the diagram, each octave of the key note is indicated by a white dot.

It is important to be able to visualize scale patterns and in particular the locations of the key note. This makes it easier to move the pattern up or down the fretboard to play in any key, as shown earlier in this lesson.

A Minor Pentatonic Scale

As the name suggests, this scale contains five different notes. Its degrees compared to a major scale are 1, b3, 4, 5, and b7. To learn more about scale degrees - see Progressive Scales and Modes by Peter Gelling.

Major Pentatonic Scale

When using Pattern 1 to improvise against a major key progression that contains major and minor chords, the pattern is played 3 frets below the key note. When pattern 1 commences 3 frets below the key note it is called a major pentatonic scale.

A Major Pentatonic Scale

Here is pattern 1 played as the A Major Pentatonic Scale in the second position. Its degrees compared to a major scale are 1, 2, 3, 5, and 6. To learn more about scale degrees - see Progressive Scales and Modes for Guitar by Peter Gelling.

You will notice that this pattern is identical in shape to the minor pentatonic scale, but it contains different notes and is played three frets lower. The root note (A) is shown as a white dot.

Examples of Blues, minor key and major key progressions can be found in the Jamming Progressions Section. These progressions are in various keys, so be careful to use pattern 1 in the correct position, as is shown in the previous chart.

The notes in the pattern can be played in any order or timing against any chord in the progression and will sound correct. Play the Pattern 1 licks from earlier in this lesson against these progressions. Try to make up your own licks. In the following lessons you will learn lead guitar techniques that will give you more ideas on how to use the notes in improvising pattern 1.

Gary Turner

Gary Turner

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Class Sessions

1- Alternate Picking 2- The Hammer-on 3- Improvising and Scales 4- The Slide 5- The Tie 6- The Bend 7- Vibrato 8- Open String Slurs 9- 12 Bar Blues 10- The Blues Scale 11- How to Read Music 12- INTRODUCTION 13- Pick Tremolo 14- Other Titles in This Series 15- Right Hand Fretting 16- Licks Using Bends 17- The Major Scale 18- Pattern 1 Extension 19- Notes on the Guitar Fretboard 20- The Pull-off 21- Pattern 1 Licks 22- Quarter Note Riffs 23- Rests and Syncopation 24- 12 Bar Blues in A Minor 25- The Natural Minor Scale 26- Using Pattern 1 27- Two Handed Tapping 28- Double Notes 29- Riff Variation 30- Approach to Practice 31- The Chromatic Scale 32- The Release Bend 33- Chord Progressions 34- The Quick Slide 35- Shuffle Rhythm 36- The Quarter Note Triplet 37- Licks Using Release Bends 38- Additional Riffs 39- Notes on the Guitar Fretboard 40- Licks Using the Slide 41- Technique Combinations 42- Tuning Your Guitar 43- Slurring 44- Three Fingered Slurring 45- Lead Guitar Solo Number 4 46- Learning all the Keys 47- Other Improvising Patterns 48- Electronic Tuner 49- The Quick Hammer-on 50- Lead Guitar Solo Number 1 51- The Quick Bend 52- Lead Guitar Solo Number 3 53- Fretboard Diagrams 54- Using Pattern 2 55- Key Signatures 56- Lead Guitar Solo Number 2 57- Technique Symbols 58- Scales 59- Using Pattern 3 60- Using Pattern 4 61- The Chromatic Scale 62- Using Pattern 5 63- The Major Scale 64- Jamming Progressions 65- The Minor Scale 66- 12 Bar Blues Progressions 67- The Minor Penatonic Scale 68- Minor Key Progressions 69- The Blues Scale 70- Major Key Progressions 71- The Major Pentatonic Scale 72- Major Key Progressions 73- More titles by LearnToPlayMusic.com

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