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Tuning the Guitar to Itself

Lesson 3/63 | Study Time: 5 Min
Course: Open Tunings
Tuning the Guitar to Itself

Tuning the Guitar to Itself

DADGAD tuning requires the third string raised one semitone from Open D tuning. This is the same G note used in standard tuning.

Step One

Option 1:
LOWER the sixth string so the 7th fret of the 6th string (A) is the same pitch as the open 5th string (A).

Option 2:
LOWER the sixth string so the 12th fret of the 6th string (D) is the same pitch as the open 4th string (D).

Step Two

Option 1:
LOWER the second string so the 12th fret of the 5th string (A) is the same pitch as the open second string

Option 2:
LOWER the second string so the 2nd fret of the 3rd string (A) is the same pitch as the open second string.

Step Three

Option 1:
LOWER the first string so the 12th fret of the 4th string (D) is the same pitch as the open first string.

Option 2:
LOWER the first string so the 5th fret of the 2nd string (D) is the same pitch as the open first string.

Here are the shapes of the D Major scale in DADGAD tuning, played in second position and harmonized in thirds.

Here is the same scale again, this time played with the fifth degree added on top, and a pedaled D bass note played on the off-beats. Notice that the C#B chord must be inverted when played in this position, and that the G note in that chord leads nicely down to the major third (F#) in the final D chord.

Experiment with chord inversions yourself and try to find little details such as this. They will help you navigate your way through open tunings (or any other tuning) and hopefully provide added interest.

Know Your Guitars…

Fender Stratocaster

The Fender Stratocaster is one of the most famous of all electric guitars. Designed by Leo Fender and first released in 1954, the Stratocaster (commonly called a "Strat") has been used by millions of guitarists all over the world. Some of the most famous Strat players include Jimi Hendrix, Mark Knopfler and Eric Clapton.

As with all tunings, it is important to develop a thorough understanding of scale patterns and chord shapes on the fretboard. The two previous exercises gave you the D Major scale in second position, now here it is again played as a linear pattern. Note, this pattern also applies to Open D tuning, Drop D tuning and standard tuning.

Here is that same linear pattern played in first inversion (with the third degree on the bottom). Inversions are handy when incorporating bass lines into your playing, especially when playing solo.

The following example introduces the concept of playing in tenths (the third is played one octave higher). Again, this is a useful technique when playing solo. When fingerpicking, it is recommended (but not essential) to play the melody of the song in the octave above that of the bass line, as demonstrated here. This leaves space for other chord tones and "colors" to sit between the bass line and the melody, and will also allow the melody to be heard clearly.

Notice the use of 3rds in this piece, along with hammer-ons and pull-offs.

This song uses open strings as both a drone function (bars 1-11) and a melodic function (bars 12 and 15). You’ll notice the drone ends when the picking pattern in bars 1-11 ends and the melody becomes more intricate. This is one way of creating interest when playing solo.

The picking pattern is then resumed and slightly altered in bars 17 - 21 as a way of recapitulating the original feel. The final bars serve as a crescendo with bar 25 making full use of open strings (punctuated by simple diad shapes). The following piece, Remember, is a good example of DADGAD tuning for its use of open strings, melodic contour, and simple two-note fingerings.

Many Irish folk songs translate well to DADGAD tuning. The following piece borrows from the well-known Danny Boy melody, and attempts to explore playing solo in DADGAD without the use of a consistent picking pattern.

Notice the melodic emphasis changes freely from upper register to lower register throughout. Play the piece freely and expressively. Find a melody that you like and apply it to an open tuning.

Take into account the relationship between high and low notes and you’ll discover many new things which will help your understanding of the tuning.

Brett Duncan, Peter Gelling and Justin Williams

Brett Duncan, Peter Gelling and Justin Williams

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Class Sessions

1- DADGAD tuning 2- Dropped G Tuning 3- Open G Tuning 4- Open A Tuning 5- Open D Tuning 6- Fingerpicking Technique 7- Open E Tuning 8- Open C Tuning 9- More titles by LearnToPlayMusic.com 10- Dropped D Tuning 11- GLOSSARY OF MUSICAL TERMS 12- INTRODUCTION 13- Tuning the Guitar to Itself 14- Tuning the Guitar to Itself 15- Using Chord Diagrams 16- Tuning the Guitar to Itself 17- Tuning the Guitar to Itself 18- Tuning the Guitar to Itself 19- Tuning the Guitar to Itself 20- Tuning the Guitar to Itself 21- Using an Electronic Tuner 22- Playing Position 23- The Major Scale in Open D Tuning 24- Tablature 25- Basic Chord Shapes - Open C Tuning 26- Acoustic Guitars 27- Chord Shapes - Open E Tuning 28- Chord Shapes - Open A Tuning 29- Hand Technique 30- Power Chords in Open G Tuning 31- Chord Shapes - Dropped G Tuning 32- Octaves 33- Picking the Strings 34- The Major Pentatonic Scale in Open G Tuning 35- Bar Chords - Dropped G Tuning 36- The Major Pentatonic Scale in Open D Tuning 37- Acoustic-Electric Guitars 38- Tuning the Guitar To Itself 39- The Minor Pentatonic Scale in Open G Tuning 40- Bar Chords - Open C Tuning 41- Finger Names and Numbers 42- The Minor Pentatonic Scale in open D Tuning 43- Using Octaves in Open G Tuning 44- Power Chords in Dropped D Tuning 45- Harmonizing Melodies in Thirds 46- The Blues Scale in Open D Tuning 47- A Word About Fingerings 48- Pick and Fingers Technique 49- The Blues Scale in Open G Tuning 50- The Minor Pentatonic Scale in Dropped D Tuning 51- Harmonizing Melodies in Sixths 52- The Blues Scale in Dropped D Tuning 53- A Word About Open Strings 54- The Blues Scale in Octaves 55- Chord Fingerings in Open Tunings 56- First and Second Endings 57- The Dorian Scale in Dropped D Tuning 58- Chord Shapes - Open G Tuning 59- Chord Shapes - Open D Tuning 60- Octaves 61- Octaves 62- Bar Chords - Open G Tuning 63- Bar Chords - Open D Tuning

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