Scale Tone 7th Pattern

Lesson 3/162 | Study Time: 5 Min

Course: Complete Lead Guitar

Scale Tone 7th Pattern

Like triads, the pattern of scale tone 7th chord types remains the same for every key. The pattern is summarized below. The minor 7 flat 5 chord is also sometimes called a half diminished chord (N7).

The following chart shows scale tone 7th chords in all keys. If you intend to play Jazz, or any kind of Fusion music, it is essential to memorize all these chords. Work through each key and then take a simple progression and play it in every key. Then try a longer progression, then a song containing the various 7th chord types. The more you do this, the easier it gets.

Scale Tone 7ths in all Keys

Here are the seven modes derived from the C major scale played against the seven scale tone seventh chords from the key of C major. If possible, record yourself playing the chords and then play the modes along with the recording, listening carefully to the combination this produces. Once you can do this from memory, try improvising over the chords, remembering to move to the new mode each time the chord changes.

Because each seventh chord contains four notes of the mode it relates to, modes work extremely well over seventh chords. Listen to the sound of the following line using the D Dorian mode over a Dm7 chord. Try playing some of the other examples you have learnt against seventh chords as well as experimenting and creating some of your own melodies with modes. The more familiar you become with modes, the more you realise how often they are used by everyone from Metal guitarists, to Jazz horn players, to Classical composers.

Here are some examples which move between different modes along with the chord changes. Example 69.0 is a 2 5 1 progression, which is common in Jazz. This progression is dealt with in more detail in lesson 40.

This one uses a 1 6 2 5 1 progression, and moves between four modes – C Ionian, A Aeolian, D Dorian and G Mixolydian. This is not as complicated as it sounds, because they are all derived from the C Major Scale.

Here is the previous example transposed to the key of F. Make a habit of transposing every new thing you learn to all twelve keys, as well as playing it in as many places as possible on the fretboard within the one key.

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1- INTRODUCTION 2- The Minor Pentatonic Scale 3- Understanding Rhythms 4- Slurs 5- Identifying Eighth Note Rhythms 6- The Slide 7- Bending Notes 8- The Triplet 9- Understanding Triplet Rhythms 10- Sixteenth Notes 11- Identifying 16th Note Rhythms 12- Slight Bends 13- Different Scale Fingerings 14- Learning the Whole Fretboard 15- Five Forms of the Pentatonic Scale 16- Moving Between Forms 17- The Major Scale 18- Scale Degrees 19- Using The Scale Forms 20- More About Scale Degrees 21- The Major Pentatonic Scale 22- Relative Major and Minor Pentatonics 23- The Blues Scale 24- Twelve Eight Time 25- More About Major Scales 26- Transposing 27- Minor Keys and Scales 28- Moveable Minor Scales 29- Harmonic Minor Scale Fingerings 30- Right Hand Tapping 31- Harmonics 32- Understanding all the Notes 33- Intervals 34- Understanding Chords 35- Scale Tone Chords 36- Seventh Chords 37- Combining Scales and Arpeggios 38- Modes 39- Scale Tone 7th Chords 40- Mode Formulas 41- Modes Over Chord Changes 42- Using the Compact Discs 43- Alternate Picking 44- Stopping Unwanted Notes 45- Licks 46- Syncopation 47- Pattern 1 Extension 48- Licks Using Bends 49- Sequences 50- Set Rhythms Using Triplet Figures 51- Picking Technique 52- Sixteenth Note Triplets 53- Vibrato 54- Higher and Lower Octaves 55- Note on the Guitar Fretboard 56- Sliding Pattern 2 57- Memorizing the Notes of the Scale 58- Visualizing Scale Degrees 59- Analyzing What You Play 60- Sliding Major Pentatonic Fingerings 61- Enharmonic Notes 62- Digging Into The Blues 63- The F Major Scale 64- The Natural Minor Scale 65- 5 Forms of the Natural Minor 66- 5 Forms of the Harmonic Minor 67- Adding Left Hand Slurs 68- Pick Harmonics 69- Tones and Semitones 70- Interval Qualities 71- Arpeggios 72- Major Key Triad Pattern 73- Learning Seventh Chord Types 74- Thirty Second Notes 75- Modes and Scale Tone Chords 76- Scale Tone 7th Pattern 77- Fingerings For Modes 78- The <span class="symbolB">2 5 1</span> Progression 79- Electronic Tuner 80- Riffs 81- The Half Bar Rolling Technique 82- Ties 83- The Quick Slide 84- The Release Bend 85- Swing Rhythms 86- Quarter Note Triplets 87- Licks Using 16th Notes 88- Vibrato With Bent Notes 89- Moving Between Forms 90- Notes in More Than One Place 91- The Symbols 8va and Loco 92- Five Forms of the Major Scale 93- Keys and Key Signatures 94- The Harmonic Minor Scale 95- Relative Major and Minor Fingerings 96- Touch Harmonics 97- Sharps 98- Interval Distances 99- Playing Arpeggios 100- Scale Tone Triads in all Keys 101- Major Seventh Arpeggios 102- Modal Tonalities 103- Other Common Progressions 104- Tuning Your Guitar 105- Playing in Different Keys 106- Set Rhythms 107- Licks Using the Slide 108- Licks Using Release Bends 109- The Shuffle Rhythm 110- Common 16th Note Rhythms 111- The Trail off 112- Position Playing 113- The Key Cycle 114- The Melodic Minor Scale 115- Listening 116- The Chromatic Scale 117- Finding Intervals on the Fretboard 118- Chord Construction – Triads 119- Common Progressions 120- Dominant Seventh Arpeggios 121- Dorian Mode Fingerings 122- Combining Modes and Arpeggios 123- Electric Guitars 124- Notes on the Sixth String 125- Rolling the 3rd Finger 126- The Quick Bend 127- The Whip 128- Higher and Lower Octaves of Notes 129- Major Scales in all Keys 130- Relative Keys 131- Transcribing 132- Flats 133- Identifying Intervals by Ear 134- Augmented and Diminished Chords 135- Minor Seventh Arpeggios 136- Phrygian Mode 137- Jam Along Progressions 138- Amplifiers 139- The Importance of Timing and Attitude 140- 12 Bar Blues 141- The Trill 142- Using Chromatic Notes 143- Arpeggios and Chord Progressions 144- Practicing Scales and Arpeggios 145- Lydian Mode 146- String 147- Improvising With Arpeggios 148- Minor 7 Flat Five and Diminished 7ths 149- Accents 150- Understanding the Control Knobs 151- Mixolydian Mode 152- Technique 153- Aeolian Mode = Natural Minor Scale 154- How to Read Music 155- Locrian Mode 156- Tablature 157- Modes in Minor Keys 158- Music Notation 159- Learning The Notes on The Staff 160- Bar Lines 161- Time Signatures 162- Chord Symbols

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Scale Tone 7th Pattern