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Augmented Chords

Lesson 20/135 | Study Time: 5 Min
Course: Complete Bass
Augmented Chords

Augmented Chords

The fourth basic chord type is the augmented chord. The augmented chord consists of three notes taken from the major scale of the same letter name. These notes are the first (1), third (3) and augmented fifth (5+) of the major scale, so the chord formula for the augmented chord is:

The A Augmented Chord (A+)

Notice that the augmented chord is simply a major chord with an augmented (sharpened) fifth. Two arpeggio patterns of the A+ chord are shown here.

A Augmented Arpeggio Pattern

As the augmented arpeggio consists entirely from consecutive major 3rds piled on top of each other,
e.g., the notes of the A+ are A, C# and F,
A - C# = maj 3rd,
C# - F = maj 3rd,
F - A = maj 3rd,
all inversions have the same pattern.

The augmented chord shape actually has three different names. To understand why this is so, examine the formula for an augmented chord, 1 3 #5. By applying this formula to the respective scales of each note in the scale, it may be seen that A+, C#+ and F+ all contain the same notes, thus the same arpeggio may be used for all three chords.

Example 139 uses the notes of the A, C# and F augmented arpeggio pattern. The symbol X means a bigger stretch between 1st and 4th finger (5 frets).

The following table illustrates that the notes of the A+,C+ and F+ chord are the same.

Because each arpeggio represents three different chords the complete range of augmented chords is covered by using the shape over four frets. The next example refers to the 4th string.

The easiest way to remember the three different augmented names involved in each shape is simply to read off the notes contained when that shape is held, i.e., if the augmented shape is played at the third fret and the individual notes are named (G B Eb) this gives the three names of the augmented chord (G+, B+ and Eb+). Conversely, if you wish to play a given augmented chord (C+) all you need to do is find a C note on any of the four strings, and then play the augmented arpeggio around it (the arpeggio you play will also produce an Ab+ or E+).

Example 140 uses pattern of the augmented arpeggio pattern without the octave moving up the neck. The first note is C, therefore the chord is C+, E+ or G#+.

Example 141 uses pattern of the augmented arpeggio pattern as illustrated moving up the neck. The first note is Ab, therefore the chord is Ab+, C+ or E+.

Stephan Richter

Stephan Richter

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Class Sessions

1- INTRODUCTION 2- Playing Position 3- Articulation 4- Three Four Time ( <span class="symbolA">^</span> ) 5- Glossary of Musical Terms 6- Approach to Practice 7- The Right Hand 8- Syncopation 9- Odd Times 10- About the Author 11- Using The Pick 12- Lead-In 13- Displacement 14- How to Choose a Bass 15- Playing With Alternating Fingers 16- Swing Rhythms 17- Afro 18- Strings 19- The Quarter Note Rest 20- The Shuffle 21- Afro And Reggae 22- Bass Guitars 23- Blues 24- 12 Bar Shuffle 25- Reggae 26- Amplifiers 27- Chord Numbers 28- Minor Chords 29- Rhythm Figures With A Sixteenth Note Rest 30- Tuning Your Bass 31- Root Notes 32- First And Second Endings 33- Syncopated Sixteenth Note Figures 34- The Metronome 35- Chord Symbols 36- Major Sixth Chords 37- Sixteenth Note Triplets 38- How to Read Music 39- The Left Hand 40- Seventh Chords 41- Modes 42- Music Notation 43- Notes On The Second Fret 44- Major Seventh Chords 45- Modal bass lines 46- Notes on The Lines And Spaces 47- Notes On The Third Fret 48- Minor Seventh Chords 49- Modes Using The Same Root Note 50- Open String Notes 51- Country 52- Jazz - Walking Bass 53- Mode Over Chord Progressions 54- The Four Four Time Signature 55- Half Time 56- Principal Chords And Scale Tone Chords 57- AABA Form "Rhythm Changes" 58- Note And Rest Values 59- New Note On The E String (F) 60- Turnarounds 61- Alternating Between Latin And Swing Feel 62- Symbols And Abbreviations 63- The Tie 64- 12 Bar Jazz Blues 65- Alternating Between Half Time Feel And Swing 66- Rock 67- Diminished Seventh Chords 68- The Pentatonic Scale 69- New Notes On The G String (B, C) 70- Suspended Chords 71- The Blues Scale 72- The Major Scale 73- Augmented Chords 74- Harmonic Minor And The Modes 75- The Octave 76- Minor Sixth Chords 77- Harmonic Minor Modal Bass Lines 78- Learning The Notes 79- Minor Seven Flat Five Chords 80- Melodic Minor And The Modes 81- Notes on the Guitar Fretboard 82- Turnarounds II 83- New Topic 84- Chromatic Scale Diagram And Finger Pattern 85- Chord Extensions 86- Melodic Minor Modal Bass Lines 87- Intervals 88- Chord Extension Arpeggio Patterns 89- The Diminished Scale 90- The Slide 91- Bass Pedal And Additional Chord Variations 92- The Whole Tone Scale 93- Shifting Between Notes 94- Latin 95- Bass Feature Lines 96- Cycle of Fifths and Key Signatures 97- Chord Symbols 98- Bass Chords 99- Riffs 100- Ghost Notes 101- Harmonics 102- C Major Scale Pattern II 103- Funk 104- Harmonics Fretboard Diagram 105- Understanding Chords 106- New Topic 107- Harmonic Chords 108- Arpeggios 109- Using A Drum Machine 110- The Slap Technique/The Thumb (T) 111- Major Scales And Arpeggios With Open Strings 112- Left Hand Techniques 113- Popping Technique (P) 114- Inversions 115- The Hammer-on (H) 116- Eighth Note Grooves 117- Upside Down Arpeggios 118- The Pull-off (P) 119- The Cross-Hammer 120- All Major Scales Around The Cycle Of Fifths 121- The Trill (tr) 122- Left Hand Slap 123- All Major Arpeggios Around The Cycle Of Fifths 124- Vibrato (<span class="symbolA"></span>) 125- Sixteenth Note Grooves 126- Double Notes 127- The Two Handed Tapping Technique 128- The Hammer-Attack (HA) 129- The Right Hand Tapping Technique ( <span class="symbolB">:</span> ) 130- The Right Hand 131- Tapping And Hammering 132- Arpeggio Tapping 133- Right Hand Interval Tapping 134- Double Stops And Chord Tapping 135- Turnarounds

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