Analyzing What You Play
Once you know the degrees of any scale you are using, it is useful to analyze many licks using that scale so you become thoroughly familiar with the sounds available from that scale and you can recreate those sounds at will. Let’s look again at the example from the previous page (shown again below with scale degrees above the notes).
It begins with the b7 degree being bent up to the root note (1). The root note is then played again, followed by the b7. A pull-off is then used to get to the 5th degree which is then followed by the 4th degree being bent up to the 5th degree. This is followed by the 4th and b3rd degrees, and in the last measure the 4th degree is followed by the root (1) an octave lower than the beginning of the lick. Another important aspect of analysis is the rhythm, which will be covered in detail in the lessons to follow.
Analyzing licks in this manner may seem boring and unnecessary at first, but the more you know about exactly what it is you are playing, the more control you have over what you play, and the more you can interact with other musicians, so stick with it, and in time you will instantly know what you or anyone else is playing as soon as you hear it. In fact, to be a good player it is important to be able to hear in your head what you want to play and then produce that sound with your hands. A good way to practice this is to sing a lick and then play what you sang. Written below is another lick derived from the minor pentatonic scale, this time in the key of G. Learn to play it and then analyze it in the manner shown above.
