Twelve Eight Time

Lesson 6/39 | Study Time: 5 Min

Course: Blues Lead Guitar

Twelve Eight Time

Many slow Blues songs are written in twelve eight time (+). This means there are twelve eighthnote beats in each measure. A measure of eighth notes in twelve eight time sounds the same as a measure of triplets in four four time. Although there are twelve individual beats which can be counted, twelve eight time is usually still counted in four as demonstrated in the following example.

One of the main reasons for using the twelve eight time signature instead of * is that it becomes easier to count when the eighth notes are subdivided. Since there is a number on each eighth note, 16th notes can be counted as + (and) as demonstrated in the following example. These 16th notes may be played straight or swung. On the recording, they are played straight the first time through and swung the second time through.

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Class Sessions

1- Arpeggios 2- New Techniques - The Trill 3- The Minor Pentatonic Scale 4- The Blues Scale 5- INTRODUCTION 6- Sixteenth Note Rhythms 7- Understanding Rhythms 8- The Major Pentatonic Scale 9- More on Eighth Note Rhythms 10- The Triplet 11- Five Forms of the Pentatonic Scale 12- Syncopation 13- Minor Arpeggios 14- Enharmonic Notes 15- Swing Rhythms 16- Combining Scales 17- Set Rhythms 18- Common Sixteenth Note Figures 19- Identifying Scale Patterns 20- Tremolo 21- Fretboard Diagrams 22- The Shuffle Rhythm 23- Dominant Seventh Arpeggios 24- The Rake 25- Using Ties 26- Scale Degrees 27- Left-Hand Fingers 28- Twelve Note Positions for Triplets 29- Combining Scales and Arpeggios 30- Analyzing What You Play 31- Tablature 32- Staccato 33- Set Rhythms Using Triplet Figures 34- Twelve Eight Time 35- Tablature Symbols 36- Thirty Second Notes 37- Playing With Pick and Fingers 38- Jam Along Progressions 39- Listening

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Twelve Eight Time