Syncopation

Lesson 3/30 | Study Time: 5 Min

Course: Blues Drums

Syncopation

Any note or phrase where the rhythmic emphasis (attack) or accent(s) fall on the downbeat(s) (beats 1,2,3 and 4 in * time) of a measure is considered non- syncopated.

Therefore a note or phrase is syncopated when the attack or accent(s) fall on the "offbeat" (anywhere other than the downbeat).

Here is an example of a highly syncopated rhythm, e.g.:

This beat features a syncopated bass drum rhythm.

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Craig Lauritsen

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1- INTRODUCTION 2- Swinging a Groove 3- Sixteenth Notes 4- The Sixteenth Note Triplet 5- The Quarter Note 6- Triplets 7- The Eighth Note 8- Explanation of Notation 9- Second Line 10- The Dot 11- The Eighth Note Triplet 12- Syncopation 13- The Drum Fill 14- Open and Closed Hi-Hats 15- Buzz Stroke 16- Rudiments of music 17- The Quarter Note Triplet 18- Triplet Subdivision 19- Time Signatures 20- The Twelve Eight Feel 21- The Flam 22- The Shuffle Rhythm 23- Repeat Signs 24- The Paradiddle 25- The Tie 26- Note Values 27- Anticipation 28- Understanding Note Values 29- The Paradiddle-diddle 30- The Metronome

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Syncopation

Syncopation

Craig Lauritsen

Class Sessions

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