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The Major Scale

Lesson 2/67 | Study Time: 5 Min
The Major Scale

The Major Scale

The major scale (and scales derived from it) is the basis of most lead guitar playing. For now however, you will only be using it as an exercise for developing left and right hand co-ordination. A one octave pattern of the A major scale is written in the next diagram. Observe the correct fingering (finger numbers written inside each note).

The dots surrounded by a square represent root notes. Root notes are notes which have the same name as the scale name (e.g., A notes are root notes for the A major scale).

Play through this pattern very slowly, ascending and descending, and you will notice that it has the familiar sound of DO RE MI FA SO LA TI DO. The notes you are playing are written out here.

There is only a semitone (1 fret) between the 3rd-4th notes and 7th-8th notes of the major scale (indicated by the curved line). All other notes are separated by a tone (2 frets). The pattern of tones and semitones remains the same for every major scale.

Try the same pattern starting at the 8th fret.

You are now playing a C major scale:

Notice that it keeps the DO RE MI FA SO LA TI DO sound which was heard with the A major scale. This is because the interval pattern remains the same between each note.

This major scale pattern can be played by starting at any note on the 6th or 5th strings. The note you start on will be the root note of the scale. E.g., if you start on the 10th fret of the 6th string, you will be playing a D major scale.

If you start at the 6th fret of the 5th string, you will be playing an Eb major scale.

And so on...

It is probably easiest to relate the scale name to the root 6 (E formation) and root 5 (A formation) bar chord names. Your starting note on the 6th string will have the same name as the root 6 chord for that position; and on the 5th string it will have the same name as the root 5 bar chord for that position.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Sixths 2- The Major Pentatonic Scale in Blues Improvising 3- Summary of Pattern One 4- Pattern Four 5- Patterns One and Four Combination 6- The Complete Pattern 7- Summary of Patterns 8- Additional Notes - the Blues Scale 9- Major Pentatonic Scale - Additional Notes 10- Minor Pentatonic Scale - Additional Notes 11- INTRODUCTION 12- Harmony Notes 13- Open String Slurs 14- An Alternative Improvising Method 15- Playing With the Pick and Fingers 16- Ideas For Further Study 17- Music Theory 18- Improvising Within A Song 19- Modulation 20- Ear Training 21- Harmonics 22- Chord Progressions 23- GLOSSARY OF MUSICAL TERMS 24- The Bend 25- The Major Scale 26- The 12 Bar Blues Progression 27- 12 Bar Blues Riff Number 2 28- Alternate Picking 29- The Major Scale - 2 Octaves 30- Minor Key Progressions 31- New Topic 32- The Blues Scale 33- Transposing 34- The Slur 35- Pattern One Extension (Key of A) 36- Major Key Progressions 37- Blues And Rock Progressions 38- Natural Harmonics 39- Copying Lead Solos From Records 40- Introductions 41- Fretboard Diagrams 42- The Major Scale 43- 12 Bar Blues Riff Number 7 44- Left Hand Position 45- 12 Bar Blues Riff Number 3 46- 12 Bar Blues Riff Number 4 47- Octaves 48- Key Signatures 49- Riff Number 8 50- Major Key Progressions 51- Left Hand Fingering 52- Tuning By Harmonics 53- Listening 54- Fill-Ins 55- Lead Solos 56- Tablature 57- Artificial Harmonics 58- Minor Key Progressions 59- Minor Keys And Scales 60- Notes on the Guitar Fretboard 61- Ideas For Improvising 62- Scale Tone Chords 63- Modulation 64- Tablature Symbols 65- Scale Tone Chord Extensions 66- The Chord/Key Relationship 67- Chord Formula Chart

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