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Artificial Harmonics

Lesson 5/67 | Study Time: 5 Min
Artificial Harmonics

Artificial Harmonics

Whereas natural harmonics are played with open strings, artificial harmonics are played by lightly touching a string at a point one octave higher than a given fretted note.

For example, if an A note is played on the 2nd fret of the third string, an artificial harmonic can be played at the 14th fret on the same string (i.e., one octave higher). Use the middle finger of your right hand and tap the string lightly to produce the harmonic. Add volume, treble and distortion to enhance the sound of the artificial harmonic.

An alternative right hand technique which can also be used to produce artificial harmonics is shown here. The picking hand grips the pick between the thumb and the middle finger, leaving the index finger free (see photo).

The index finger touches the string 12 frets above the fretted note, while the pick attacks the string. The picking action is initiated by movement in the thumb knuckle.

Artificial Harmonic Picking Technique

Artificial harmonics can be played with any fretted note, by touching the string one octave (12 frets) higher. Other artificial harmonics can be located 5 and 7 frets above the fretted note (e.g., for the A note previously mentioned, artificial harmonics are at the 7th and 9th frets, as well as the 14th. For a more detailed look at the use of harmonics on electric guitar, see Progressive Heavy Metal Techniques for Lead Guitar. For solos including harmonics on acoustic guitar, see Progressive Fingerpicking Guitar Solos.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Sixths 2- The Major Pentatonic Scale in Blues Improvising 3- Summary of Pattern One 4- Pattern Four 5- Patterns One and Four Combination 6- The Complete Pattern 7- Summary of Patterns 8- Additional Notes - the Blues Scale 9- Major Pentatonic Scale - Additional Notes 10- Minor Pentatonic Scale - Additional Notes 11- INTRODUCTION 12- Harmony Notes 13- Open String Slurs 14- An Alternative Improvising Method 15- Playing With the Pick and Fingers 16- Ideas For Further Study 17- Music Theory 18- Improvising Within A Song 19- Modulation 20- Ear Training 21- Harmonics 22- Chord Progressions 23- GLOSSARY OF MUSICAL TERMS 24- The Bend 25- The Major Scale 26- The 12 Bar Blues Progression 27- 12 Bar Blues Riff Number 2 28- Alternate Picking 29- The Major Scale - 2 Octaves 30- Minor Key Progressions 31- New Topic 32- The Blues Scale 33- Transposing 34- The Slur 35- Pattern One Extension (Key of A) 36- Major Key Progressions 37- Blues And Rock Progressions 38- Natural Harmonics 39- Copying Lead Solos From Records 40- Introductions 41- Fretboard Diagrams 42- The Major Scale 43- 12 Bar Blues Riff Number 7 44- Left Hand Position 45- 12 Bar Blues Riff Number 3 46- 12 Bar Blues Riff Number 4 47- Octaves 48- Key Signatures 49- Riff Number 8 50- Major Key Progressions 51- Left Hand Fingering 52- Tuning By Harmonics 53- Listening 54- Fill-Ins 55- Lead Solos 56- Tablature 57- Artificial Harmonics 58- Minor Key Progressions 59- Minor Keys And Scales 60- Notes on the Guitar Fretboard 61- Ideas For Improvising 62- Scale Tone Chords 63- Modulation 64- Tablature Symbols 65- Scale Tone Chord Extensions 66- The Chord/Key Relationship 67- Chord Formula Chart

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