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Additional Notes - the Blues Scale

Lesson 2/67 | Study Time: 5 Min
Additional Notes - the Blues Scale

Additional Notes - the Blues Scale

An additional note is a note which does not belong to the scale, but can be used against most chords in a progression without sounding out of key. The notes of the minor pentatonic scale are I, bIII, IV, V, bVII (revise lesson 6) and so for an A minor pentatonic, the notes A, C, D, E and G are used. One additional note is the bV, which for the key of A is an Eb note. With this note added, it becomes the Blues Scale.

Pattern One - Blues Scale - Key of A

Experiment using this new note in your improvising. Draw a fretboard diagram (21 frets), adding the Eb (bV ) note to the A minor pentatonic scale to create the A Blues scale, and become familiar with its position in each pattern. The following lick uses the Blues scale with the extra Eb note and moves through patterns one, two and three.

Other notes which may be added to the minor pentatonic scale are II, III, and VI notes of the major scale. In the key of A these additional notes are B, C# and F# .

As before, draw up a fretboard diagram and add these extra notes to the Minor pentatonic scale. Remember that some additional notes will not always blend in with all the chords of a Blues progression, whereas the Blues scale notes will. Here is a short solo which makes use of these extra notes.

Rock Licks

The following Rock licks involve the use of additional notes to the minor pentatonic scale, played with a triplet rhythm.

Pick only the first note (all the others are slurred).

Start with all 3 fingers in position.

This technique can be applied to any group of three notes within the scale.

In this exercise, start with the first finger barring across three strings at the 5th fret.

You should apply the licks studied in this lesson to other scale patterns.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Sixths 2- The Major Pentatonic Scale in Blues Improvising 3- Summary of Pattern One 4- Pattern Four 5- Patterns One and Four Combination 6- The Complete Pattern 7- Summary of Patterns 8- Additional Notes - the Blues Scale 9- Major Pentatonic Scale - Additional Notes 10- Minor Pentatonic Scale - Additional Notes 11- INTRODUCTION 12- Harmony Notes 13- Open String Slurs 14- An Alternative Improvising Method 15- Playing With the Pick and Fingers 16- Ideas For Further Study 17- Music Theory 18- Improvising Within A Song 19- Modulation 20- Ear Training 21- Harmonics 22- Chord Progressions 23- GLOSSARY OF MUSICAL TERMS 24- The Bend 25- The Major Scale 26- The 12 Bar Blues Progression 27- 12 Bar Blues Riff Number 2 28- Alternate Picking 29- The Major Scale - 2 Octaves 30- Minor Key Progressions 31- New Topic 32- The Blues Scale 33- Transposing 34- The Slur 35- Pattern One Extension (Key of A) 36- Major Key Progressions 37- Blues And Rock Progressions 38- Natural Harmonics 39- Copying Lead Solos From Records 40- Introductions 41- Fretboard Diagrams 42- The Major Scale 43- 12 Bar Blues Riff Number 7 44- Left Hand Position 45- 12 Bar Blues Riff Number 3 46- 12 Bar Blues Riff Number 4 47- Octaves 48- Key Signatures 49- Riff Number 8 50- Major Key Progressions 51- Left Hand Fingering 52- Tuning By Harmonics 53- Listening 54- Fill-Ins 55- Lead Solos 56- Tablature 57- Artificial Harmonics 58- Minor Key Progressions 59- Minor Keys And Scales 60- Notes on the Guitar Fretboard 61- Ideas For Improvising 62- Scale Tone Chords 63- Modulation 64- Tablature Symbols 65- Scale Tone Chord Extensions 66- The Chord/Key Relationship 67- Chord Formula Chart

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