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Natural Harmonics

Lesson 3/67 | Study Time: 5 Min
Natural Harmonics

Natural Harmonics

A natural harmonic is produced by lightly touching an open string at either the 12th, 7th, 5th or 19th frets, while picking it.* Harmonics must be played directly over the fret and should just touch the string, not push it down.

Playing harmonics on the 12th fret of the first string.

To play harmonics, use the underside of your first finger.

Harmonics are indicated by diamond shaped notes as such:

*Harmonics can be located at other frets, but these are the most common.

On the 12th fret, the harmonics produced have the same pitch as the fretted note on the same string.

E.g., first string, 12th fret note (E)

first string, 12th fret harmonic (E)

On the 7th fret, the harmonics produced are an octave higher than the fretted note on the same string.

E.g., fifth string, 7th fret note (E)

fifth string, 7th fret harmonic (E)

On the 19th fret, the harmonics produced have the same pitch as the fretted note on the same string. These harmonics are also identical to the harmonics produced on the 7th fret.

On the 5th fret, the harmonics produced are an octave and a fifth higher than the fretted note on the same string.

E.g., fourth string, 5th fret note (G)

fourth string, 5th fret harmonic (D)

The following table sets out the note names of harmonics produced on the 5th, 7th, 12th and 19th frets;

Table of Natural Harmonics

In this table, the harmonics produced on the 7th and 19th frets are identical, however, the harmonics produced on the 5th fret are an octave higher than those on the 12th fret.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Sixths 2- The Major Pentatonic Scale in Blues Improvising 3- Summary of Pattern One 4- Pattern Four 5- Patterns One and Four Combination 6- The Complete Pattern 7- Summary of Patterns 8- Additional Notes - the Blues Scale 9- Major Pentatonic Scale - Additional Notes 10- Minor Pentatonic Scale - Additional Notes 11- INTRODUCTION 12- Harmony Notes 13- Open String Slurs 14- An Alternative Improvising Method 15- Playing With the Pick and Fingers 16- Ideas For Further Study 17- Music Theory 18- Improvising Within A Song 19- Modulation 20- Ear Training 21- Harmonics 22- Chord Progressions 23- GLOSSARY OF MUSICAL TERMS 24- The Bend 25- The Major Scale 26- The 12 Bar Blues Progression 27- 12 Bar Blues Riff Number 2 28- Alternate Picking 29- The Major Scale - 2 Octaves 30- Minor Key Progressions 31- New Topic 32- The Blues Scale 33- Transposing 34- The Slur 35- Pattern One Extension (Key of A) 36- Major Key Progressions 37- Blues And Rock Progressions 38- Natural Harmonics 39- Copying Lead Solos From Records 40- Introductions 41- Fretboard Diagrams 42- The Major Scale 43- 12 Bar Blues Riff Number 7 44- Left Hand Position 45- 12 Bar Blues Riff Number 3 46- 12 Bar Blues Riff Number 4 47- Octaves 48- Key Signatures 49- Riff Number 8 50- Major Key Progressions 51- Left Hand Fingering 52- Tuning By Harmonics 53- Listening 54- Fill-Ins 55- Lead Solos 56- Tablature 57- Artificial Harmonics 58- Minor Key Progressions 59- Minor Keys And Scales 60- Notes on the Guitar Fretboard 61- Ideas For Improvising 62- Scale Tone Chords 63- Modulation 64- Tablature Symbols 65- Scale Tone Chord Extensions 66- The Chord/Key Relationship 67- Chord Formula Chart

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