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Pattern Four

Lesson 2/67 | Study Time: 5 Min
Pattern Four

Pattern Four

Altogether there are five basic fingering patterns which cover the entire fretboard in any key when placed end to end. After pattern one, the next most common improvising pattern is pattern four. It has a similar but not identical shape to pattern one and is illustrated here.

Memorize this pattern and practice it in all positions. You will notice that no root note has been given. Its root note is determined by which of the three types of progressions it is applied to.

Pattern Four - Blues (Key of A)

Pattern four, for Blues progressions, occurs in the same position as the root 5 major bar chord having the same name as the key, e.g., Blues in A - the root 5 A bar chord is located at the 12th fret, and so pattern four is played in this position. If you analyze the notes in pattern four, you will see that you are still playing the notes of the A Blues scale (A, C, D, E, G).

Pattern Four - Minor Key Progressions (Key of A minor)

Pattern four, for minor key progressions, occur at the same position as the root 5 minor bar chord having the same name as the key, e.g.

Progression in A minor - the root 5 Am bar chord is located at the 12th Fret, so pattern four will be played at this position. This is the same position as for a Blues progression in the key of A as shown in the previous diagram.

The following lick uses pattern 4 at the 12th fret. It is played here against an A minor chord. As you can hear, this is a very bluesy lick and would work equally well against any chord from a Blues progression in the key of A.

Pattern Four - Major Key Progressions (Key of A)

Pattern four, for major key progressions, is located three frets lower than the same pattern for Blues, i.e., it occurs at the same position as the root 5 relative minor bar chord, e.g., major chord progression in A - the relative minor chord is F#m, located as a root 5 bar chord at the 9th fret, and so pattern four is located in this position. Once again, you are playing the same notes (A, B, C#, E, F# ) as in pattern one for major key progressions.

The following lick makes use of pattern 4 at the 9th fret against a chord progression in A major. Now that you know how to use pattern four for each of the three types of progressions, practice playing it in all keys.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Sixths 2- The Major Pentatonic Scale in Blues Improvising 3- Summary of Pattern One 4- Pattern Four 5- Patterns One and Four Combination 6- The Complete Pattern 7- Summary of Patterns 8- Additional Notes - the Blues Scale 9- Major Pentatonic Scale - Additional Notes 10- Minor Pentatonic Scale - Additional Notes 11- INTRODUCTION 12- Harmony Notes 13- Open String Slurs 14- An Alternative Improvising Method 15- Playing With the Pick and Fingers 16- Ideas For Further Study 17- Music Theory 18- Improvising Within A Song 19- Modulation 20- Ear Training 21- Harmonics 22- Chord Progressions 23- GLOSSARY OF MUSICAL TERMS 24- The Bend 25- The Major Scale 26- The 12 Bar Blues Progression 27- 12 Bar Blues Riff Number 2 28- Alternate Picking 29- The Major Scale - 2 Octaves 30- Minor Key Progressions 31- New Topic 32- The Blues Scale 33- Transposing 34- The Slur 35- Pattern One Extension (Key of A) 36- Major Key Progressions 37- Blues And Rock Progressions 38- Natural Harmonics 39- Copying Lead Solos From Records 40- Introductions 41- Fretboard Diagrams 42- The Major Scale 43- 12 Bar Blues Riff Number 7 44- Left Hand Position 45- 12 Bar Blues Riff Number 3 46- 12 Bar Blues Riff Number 4 47- Octaves 48- Key Signatures 49- Riff Number 8 50- Major Key Progressions 51- Left Hand Fingering 52- Tuning By Harmonics 53- Listening 54- Fill-Ins 55- Lead Solos 56- Tablature 57- Artificial Harmonics 58- Minor Key Progressions 59- Minor Keys And Scales 60- Notes on the Guitar Fretboard 61- Ideas For Improvising 62- Scale Tone Chords 63- Modulation 64- Tablature Symbols 65- Scale Tone Chord Extensions 66- The Chord/Key Relationship 67- Chord Formula Chart

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