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Minor Key Progressions

Lesson 2/67 | Study Time: 5 Min
Minor Key Progressions

Minor Key Progressions

In lesson 10 you were introduced to improvising against a progression (song) in a major key using pattern one (as a major pentatonic scale). Many songs, however, are written in a minor key, an example of which is given here.

This progression is in the key of A minor, starting and ending on an Am chord.

For improvising against a minor key, pattern one is located on the same fret as the root 6 minor bar chord which has the same name as the key. E.g., for the key of A minor, the root 6 Am bar chord is located at the 5th fret, and so pattern one is played in this position.

The scale you are playing when improvising against minor key progressions is referred to as a minor pentatonic scale.

You will notice that pattern one for the key of A minor is located in the same position as pattern one for a Blues progression in the key of A major.*

Record the minor progression at the beginning of the lesson, and improvise using pattern one and its extension. Remember to make use of all the Rock licks and techniques studied so far.

This minor pentatonic pattern can be used to improvise against any minor key progression in the key of A minor.

*This is because the Blues Rock sound is based on the use of minor scale notes against a major key progression.

Pick Tremolo

The pick tremolo involves rapid pick movement on a given note, hitting the string as many times as possible within a certain period. This period will be preset in written music and a tremoloed note is notated as such:

The diagonal lines indicate a tremolo, and in this example as many C notes as possible are played in one count. Hold the pick close to the tip as illustrated in the photo and keep it rigid, rapidly moving your hand from the wrist. Do not move your forearm. Play through pattern one, tremoloing each note. When improvising, the duration of a tremoloed note is up to your own discretion.

The following example uses pick tremolo on two notes played together and is played over a chord progression in the key of A minor.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Sixths 2- The Major Pentatonic Scale in Blues Improvising 3- Summary of Pattern One 4- Pattern Four 5- Patterns One and Four Combination 6- The Complete Pattern 7- Summary of Patterns 8- Additional Notes - the Blues Scale 9- Major Pentatonic Scale - Additional Notes 10- Minor Pentatonic Scale - Additional Notes 11- INTRODUCTION 12- Harmony Notes 13- Open String Slurs 14- An Alternative Improvising Method 15- Playing With the Pick and Fingers 16- Ideas For Further Study 17- Music Theory 18- Improvising Within A Song 19- Modulation 20- Ear Training 21- Harmonics 22- Chord Progressions 23- GLOSSARY OF MUSICAL TERMS 24- The Bend 25- The Major Scale 26- The 12 Bar Blues Progression 27- 12 Bar Blues Riff Number 2 28- Alternate Picking 29- The Major Scale - 2 Octaves 30- Minor Key Progressions 31- New Topic 32- The Blues Scale 33- Transposing 34- The Slur 35- Pattern One Extension (Key of A) 36- Major Key Progressions 37- Blues And Rock Progressions 38- Natural Harmonics 39- Copying Lead Solos From Records 40- Introductions 41- Fretboard Diagrams 42- The Major Scale 43- 12 Bar Blues Riff Number 7 44- Left Hand Position 45- 12 Bar Blues Riff Number 3 46- 12 Bar Blues Riff Number 4 47- Octaves 48- Key Signatures 49- Riff Number 8 50- Major Key Progressions 51- Left Hand Fingering 52- Tuning By Harmonics 53- Listening 54- Fill-Ins 55- Lead Solos 56- Tablature 57- Artificial Harmonics 58- Minor Key Progressions 59- Minor Keys And Scales 60- Notes on the Guitar Fretboard 61- Ideas For Improvising 62- Scale Tone Chords 63- Modulation 64- Tablature Symbols 65- Scale Tone Chord Extensions 66- The Chord/Key Relationship 67- Chord Formula Chart

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