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3 Steps to Stick Control

Lesson 6/87 | Study Time: 5 Min
Course: Complete Drums
3 Steps to Stick Control

3 Steps to Stick Control

1) Find the BALANCE POINT of the stick -

The point at which the stick is held should also be the balance point of the stick, the balance point meaning how far along the stick you should place your grip so that the maximum response is gained from the stick. This point can be found by placing the stick over the first finger and dropping the stick onto a practice pad or snare drum (see photo). The greater the number of natural bounces the stick makes, the closer you are to finding the balance point. The balance point occurs roughly 1/3 of the way up the stick (from the butt end).

2) Relax the grip -

It is important to relax your hold on the stick, as too much pressure will "choke" the stick. The more relaxed the grip, the more easily the stick can pivot within the fulcrum. This leads to a better sound, greater endurance and greater speed.

3) Keep the stick height uniform -

If the height of each individual stroke and the height between the two sticks is the same, the resulting sound will be even and constant.

If you follow these three rules when practicing, your stick control should develop quickly. The best way to obtain speed is to always remain relaxed, and to practice precisely.

Craig Lauritsen

Craig Lauritsen

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Class Sessions

1- INTRODUCTION 2- The Sixteenth Note 3- The Eighth Note 4- Paradiddle Permutations 5- Triplets 6- The Quarter Note 7- Rudiments 8- How to Practice 9- Advanced Independence - Concept 1 10- Solo 33 11- GLOSSARY OF MUSICAL TERMS 12- Method of Practice 13- Adapting Time Signatures 14- Eighth Note Triplets 15- Solo 30 16- Solo 17 17- Solo 34 18- Sight Reading Exercise 7 19- Explanation of Notation 20- Counting 21- Sight Reading Exercise 3 22- Solo 31 23- Solo 22 24- Thirty Second Notes 25- Solo 18 26- The Drum Fill 27- Open Hi-hat Exercises 28- Sixteenth Note Hi-hat Patterns 29- Sight Reading Exercise 4 30- Equipment 31- Solo 35 32- The Paradiddle 33- Solo 23 34- Sixty Fourth Notes 35- Solo 19 36- Solo 36 37- Solo 1 38- Holding the Drum Sticks 39- Ghost Notes 40- Solo 32 41- Solo 6 42- Solo 29 43- Solo 2 44- Rolls 45- Solo 36 46- Shuffle Rhythm 47- Triplet Accent Studies 48- 3 Steps to Stick Control 49- Solo 20 50- Solo 7 51- Solo 3 52- Fill-ins Featuring Bass Drum 53- Note Values 54- Stickings Around the Kit 55- Solo 21 56- Open and Closed Hi-hats 57- Solo 24 58- Solo 8 59- Paradiddle Partials 60- Syncopation 61- Swing Rhythm 62- Joining Stickings Together 63- Understanding Note Values 64- The Tie 65- The Flam 66- <span class="symbolA">%</span> Time 67- Advanced Syncopation 68- Repetition Counting 69- Solo 25 70- The Metronome 71- Sticking Interpretation 72- Solo 9 73- Solo 26 74- Solo 4 75- Triplet Sticking Interpretation 76- Linear Patterns 77- Rudiments of music 78- Creating a Drum Part 79- Time Signatures 80- Solo 27 81- Solo 5 82- The Dot 83- Polyrhythms 84- Repeat Signs 85- Solo 28 86- Solo 10 87- Dynamics

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