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The Bass Guitar

Lesson 6/91 | Study Time: 5 Min
The Bass Guitar

The Bass Guitar

 

Seating

Before you start playing, a comfortable seating position is required. Most modern bass guitarists prefer to sit with their right leg raised, as shown in the photo. The bass should be held close to the body and in a vertical position. The main aim is for comfort and easy access to the bass.

Playing Styles

There are two styles of playing the bass guitar:
1. using the pick
2. using the fingers

The choice between these styles is up to the individual. One style is no better than the other as there are many fine exponents of both. Progressive Bass Guitar uses the pick, however all of the examples can be played using the fingers.

Playing With the Pick

Picks (sometimes called plectrums) are usually made of plastic and come in a variety of different shapes and thicknesses. Most bass players prefer a medium or thick gauge pick, as thin picks tend to give a less defined sound.

The pick is held between the thumb and index finger, as illustrated in these photos:

1. Index finger curved.

2. Pick placed on index finger with its point about 1cm past the finger-tip.

3. Thumb clamps down, holding the pick in place.

The correct position of the right hand is as such:

Playing with the pick creates a more crisp and treble sound than playing with the fingers.

Playing With the Fingers

When playing with the fingers, only the index (i) and middle (m) fingers are used.
i = index
m = middle

When playing notes, the i and m fingers alternate and the rest stroke is used. The rest stroke involves the finger picking the string and then coming to rest on the next string. The following photos illustrate the movement of the fingers in playing the rest stroke.

The thumb is not used for playing notes, but supports the hand by resting on the pick-up as shown in the following photo. The thumb can also move across and rest on the 4th string when notes on the higher strings are played.

Sometimes a technique of playing the strings from underneath is used, as illustrated in these photos.

Finger ready to pop note

Pull up and rotate wrist

This is commonly used by Funk players to achieve a "slapping" effect. For more on this style of playing, see Progressive Slap Bass.

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- Minor Chord Riffs 2- Notes on the Fretboard 3- SECTION TWO 4- The 12 Bar Blues Progression 5- Alternate Picking 6- 12 Bar in A 7- Riff No. 8 8- INTRODUCTION 9- Rhythm Variations 10- Turnaround Pattern Two 11- Passing Notes 12- The Slide 13- SECTION THREE 14- Creating A Bass Line 15- Minor Chord Construction 16- Major 7th*, Minor 7th and Ninth Chord Construction 17- Augmented Chord Construction 18- Comparison of Styles 19- SECTION ONE 20- Notes on the First String 21- 12 Bar Blues 22- The Half Note 23- Fretboard Diagram 24- Turnaround Progression No. 2 25- The Major Scale 26- Riff No. 5 27- Sharps and Flats 28- Shuffle Rhythm 29- Examples on the First and Second Strings 30- Octaves 31- Tuning Your Bass 32- Walking Bass 33- Staccato 34- Riff No. 9 35- Turnaround Progression No. 1 36- Open String Notes 37- Timing Combinations 38- Sixth Chord Construction 39- C Major Scale 40- Chord Construction - Major Chords 41- Riff No. 2 42- 12 Bar Blues Riff No. 1 43- Notes on the 4th and 5th Frets 44- Minor Chord Arpeggio 45- Suspended Chord Construction 46- Extra Progressions 47- Eighth Notes 48- Arpeggio Patterns 49- Walking Bass Examples 50- Major Chord Arpeggio 51- Syncopation 52- 8 Bar Minor Blues 53- Diminished Chord Construction 54- Notation 55- A Major Scale 56- 8 Bar Blues 57- 12 Bar in C 58- Riff Variations 59- Transposing 60- The Tie 61- Turnaround Pattern One 62- Open String Notes 63- 12 Bar Blues Pattern Two 64- Riffs 65- The Minor Pentatonic Scale 66- E Flat Major Scale 67- Music Notation 68- 7th Chord Construction 69- Blues in G 70- Section Two Summary 71- 12 Bar Blues Pattern Three 72- Rock Progression 73- Eighth Note Rest 74- Syncopation Examples 75- Jazz Turnaround 76- 12 Bar Blues Pattern One 77- Syncopated Rhythm Styles 78- The Bass Guitar 79- Triplet Timing 80- Minor Pentatonic Triplets 81- 7th Chord Arpeggio 82- Higher Position Examples 83- The Hammer on 84- Minor Pentatonic Scale Over the Entire Fretboard 85- 12 Bar in A 86- The I -V Formula 87- Triplet Riff 88- Note Reading Examples 89- Riff/Scale Relationships 90- Triplet Blues Riff 91- Section One Summary

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