12 Bar Blues Pattern Two

Lesson 4/91 | Study Time: 5 Min

Course: Bass Guitar Method

12 Bar Blues Pattern Two

In Lesson 9 you were introduced to a pattern on the fretboard which enabled you to play 12 bar Blues in any key (by transposing). This pattern involved the I, IV and V starting notes being played on the 4th and 3rd strings as such:

Blues Pattern One

Another commonly used pattern starts on the following notes:

Blues Pattern Two

In this pattern the riff notes of the IV and V chord are an octave lower than if played using Blues pattern one.
Play the following half bar riff (i.e., play it twice each bar):

For a Blues in D starts at the 5th fret of the 3rd string for the D ( I ) chord, the 3rd fret of the 4th string for the G ( IV ) chord, and the 5th fret of the 4th string for the A ( V) chord.

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Gary Turner and Brenton White

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1- Minor Chord Riffs 2- Notes on the Fretboard 3- SECTION TWO 4- The 12 Bar Blues Progression 5- Alternate Picking 6- 12 Bar in A 7- Riff No. 8 8- INTRODUCTION 9- Rhythm Variations 10- Turnaround Pattern Two 11- Passing Notes 12- The Slide 13- SECTION THREE 14- Creating A Bass Line 15- Minor Chord Construction 16- Major 7th*, Minor 7th and Ninth Chord Construction 17- Augmented Chord Construction 18- Comparison of Styles 19- SECTION ONE 20- Notes on the First String 21- 12 Bar Blues 22- The Half Note 23- Fretboard Diagram 24- Turnaround Progression No. 2 25- The Major Scale 26- Riff No. 5 27- Sharps and Flats 28- Shuffle Rhythm 29- Examples on the First and Second Strings 30- Octaves 31- Tuning Your Bass 32- Walking Bass 33- Staccato 34- Riff No. 9 35- Turnaround Progression No. 1 36- Open String Notes 37- Timing Combinations 38- Sixth Chord Construction 39- C Major Scale 40- Chord Construction - Major Chords 41- Riff No. 2 42- 12 Bar Blues Riff No. 1 43- Notes on the 4th and 5th Frets 44- Minor Chord Arpeggio 45- Suspended Chord Construction 46- Extra Progressions 47- Eighth Notes 48- Arpeggio Patterns 49- Walking Bass Examples 50- Major Chord Arpeggio 51- Syncopation 52- 8 Bar Minor Blues 53- Diminished Chord Construction 54- Notation 55- A Major Scale 56- 8 Bar Blues 57- 12 Bar in C 58- Riff Variations 59- Transposing 60- The Tie 61- Turnaround Pattern One 62- Open String Notes 63- 12 Bar Blues Pattern Two 64- Riffs 65- The Minor Pentatonic Scale 66- E Flat Major Scale 67- Music Notation 68- 7th Chord Construction 69- Blues in G 70- Section Two Summary 71- 12 Bar Blues Pattern Three 72- Rock Progression 73- Eighth Note Rest 74- Syncopation Examples 75- Jazz Turnaround 76- 12 Bar Blues Pattern One 77- Syncopated Rhythm Styles 78- The Bass Guitar 79- Triplet Timing 80- Minor Pentatonic Triplets 81- 7th Chord Arpeggio 82- Higher Position Examples 83- The Hammer on 84- Minor Pentatonic Scale Over the Entire Fretboard 85- 12 Bar in A 86- The I -V Formula 87- Triplet Riff 88- Note Reading Examples 89- Riff/Scale Relationships 90- Triplet Blues Riff 91- Section One Summary

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12 Bar Blues Pattern Two