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GLOSSARY OF MUSICAL TERMS

Lesson 2/130 | Study Time: 5 Min
GLOSSARY OF MUSICAL TERMS

Accidental — a sign used to show a temporary change in pitch of a note (i.e., sharp #, flat b, double sharp !, double flat bb, or natural @). The sharps or flats in a key signature are not regarded as accidentals.

Ad lib — to be played at the performer’s own discretion.

Allegretto — moderately fast.

Allegro — fast and lively.

Anacrusis — a note or notes occurring before the first bar of music (also called "lead-in" notes).

Andante — an easy walking pace.

Arpeggio — the playing of a chord in single note fashion.

Bar — a division of music occurring between two bar lines (also called a "measure").

Bar chord — a chord played with one finger lying across all six strings.

Bar line — a vertical line drawn across the staff which divides the music into equal sections called bars.

Bass — the lower regions of pitch in general. On keyboard, the notes to the left of the keyboard.

Capo — a device placed across the neck of a guitar to allow a key change without alteration of the chord shapes.

Chord — a combination of three or more different notes played together.

Chord progression — a series of chords played as a musical unit (e.g., as in a song).

Chromatic scale — a scale ascending and descending in semitones.

e.g., C chromatic scale:

Clef — a sign placed at the beginning of each staff of music which fixes the location of a particular note on the staff, and hence the location of all other notes, e.g.:

Coda — an ending section of music, signified by the sign v.

Common time — and indication of * time — four quarter note beats per bar (also indicated by Q)

D.C. al fine — a repeat from the sign (indicated thus V) to the word "fine".

Duration — the time value of each note.

Dynamics — the varying degrees of softness (indicated by the term "piano") and loudness (indicated by the term "forte") in music.

Eighth note — a note with the value of half a beat in * time, indicated thus 5 (also called a quaver).

The eighth note rest — indicating half a beat of silence is written:j

Enharmonic — describes the difference in notation, but not in pitch, of two notes, e.g.:

Format — a sign, ? , used to indicate that a note or chord is held to the player’s own discretion (also called a "pause sign").

First and second endings — signs used where two different endings occur. On the first time through ending one is played (indicated by the bracket Z); then the progression is repeated and ending two is played (indicated X).

Flat — a sign, (b) used to lower the pitch of a note by one semitone.

Forte — loud. Indicated by the sign f.

Half note — a note with the value of two beats in * time, indicated thus: 1 (also called a minim). The half note rest, indicating two beats of silence, is written: g on the third staff line.

Harmonics — a chime like sound created by lightly touching a vibrating string at certain points along the fret board.

Harmony — the simultaneous sounding of two or more different notes.

Improvise — to perform spontaneously, i.e., not from memory or from a written copy.

Interval — the distance between any two notes of different pitches.

Key — describes the notes used in a composition in regards to the major or minor scale from which they are taken; e.g., a piece "in the key of C major" describes the melody, chords, etc., as predominantly consisting of the notes, C, D, E, F, G, A, and B — i.e., from the C scale.

Key signature — a sign, placed at the beginning of each stave of music, directly after the clef, to indicate the key of a piece. The sign consists of a certain number of sharps or flats, which represent the sharps or flats found in the scale of the piece’s key. e.g.:

indicates a scale with F# and C#, which is D major; D E F# G A B C# D. Therefore the key is D major (or its relative minor, Bm).

Lead-In — same as anacrusis (also called a pick-up).

Ledger lines — small horizontal lines upon which notes are written when their pitch is either above or below the range of the staff, e.g.,

Legato — smoothly, well connected.

Lyric — words that accompany a melody.

Major scale — a series of eight notes in alphabetical order based on the interval sequence tone - tone - semitone - tone - tone - tone - semitone, giving the familiar sound do re mi fa so la ta do.

Melody — a succession of notes of varying pitch and duration, and having a recognizable musical shape.

Metronome — a device which indicates the number of beats per minute, and which can be adjusted in accordance to the desired tempo.

e.g., MM (Maelzel Metronome) 3 = 60 — indicates 60 quarter note beats per minute.

Moderato — at a moderate pace.

Natural — a sign (@) used to cancel out the effect of a sharp or flat. The word is also used to describe the notes A, B, C, D, E, F and G; e.g., "the natural notes".

Notation — the written representation of music, by means of symbols (music on a staff), letters (as in chord and note names) and diagrams (as in chord illustrations.)

Note — a single sound with a given pitch and duration.

Octave — the distance between any given note with a set frequency, and another note with exactly double that frequency. Both notes will have the same letter name;

Open chord — a chord that contains at least one open string.

Pitch — the sound produced by a note, determined by the frequency of the string vibrations. The pitch relates to a note being referred to as "high" or "low".

Plectrum — a small object (often of a triangular shape) made of plastic which is used to pick or strum the strings of a guitar.

Position — a term used to describe the location of the left hand on the fret board. The left hand position is determined by the fret location of the first finger, e.g.,
The 1st position refers to the 1st to 4th frets. The 3rd position refers to the 3rd to 6th frets and so on.

Quarter note — a note with the value of one beat in * time, indicated thus 3 (also called a crotchet). The quarter note rest, indicating one beat of silence, is written:h.

Repeat signs — in music, used to indicate a repeat of a section of music, by means of two dots placed before a double bar line:

In chord progressions, a repeat sign C, indicates an exact repeat of the previous bar.

Rhythm — the note after which a chord or scale is named (also called "key note").

Riff — a pattern of notes that is repeated throughout a progression (song).

Root note — the note after which a chord or scale is named.

Scale Tone Chords — chords which are constructed from notes within a given scale.

Semitone — the smallest interval used in conventional music. On guitar, it is a distance of one fret.

Sharp — a sign (#) used to raise the pitch of a note by one semitone.

Simple time — occurs when the beat falls on an undotted note, which is thus divisible by two.

Sixteenth note - a note with the value of a quarter of a beat in * time, indicated as such 0 (also called a semi quaver).
The sixteenth note rest, indicating a quarter of a beat of silence, is written: k

Slide — a technique which involves a finger moving along the string to its new note. The finger maintains pressure on the string, so that a continuous sound is produced.

Slur — sounding a note by using only the left hand fingers. (An ascending slur is also called a "hammer on"; a descending slur is also called a "pull off".)

Staccato — to play short and detached. Indicated by a dot placed above or below the note:x

Staff — five parallel lines together with four spaces, upon which music is written.

Syncopation — the placing of an accent on a normally unaccented beat. e.g.:

Tablature — a system of writing music which represents the position of the player’s fingers (not the pitch of the notes, but their position on the guitar). A chord diagram is a type of tablature. Notes can also be written using tablature thus:

Tempo — the speed of a piece.

Tie — a curved line joining two or more notes of the same pitch, where the second note(s) is not played, but its time value is added to that of the first note.

Timbre — a quality which distinguishes a note produced on one instrument from the same note produced on any other instrument (also called "tone co lour"). A given note on the guitar will sound different (and therefore distinguishable) from the same pitched note on piano, violin, flute etc. There is usually also a difference in timbre from one guitar to another.

Time signature — a sign at the beginning of a piece which indicates, by means of figures, the number of beats per bar (top figure), and the type of note receiving one beat (bottom figure).

Tone — a distance of two frets, i.e., the equivalent of two semitones.

Transposition — the process of changing music from one key to another.

Treble — the upper regions of pitch in general.

Treble clef — a sign placed at the beginning of the staff to fix the pitch of the notes placed on it. The treble clef (also called "G clef") is placed so that the second line indicates as G note:

Tremolo (pick motion) — a technique involving rapid pick movement on a given note.

Triplet — a group of three notes played in the same time as two notes of the same kind.

Vibrato — a technique which involves pushing a string up and down, like a rapid series of short bends.

Wedge mark — indicates pick direction; e.g.: a = down pick, s = up pick

Whole note — a note with the value of four beats in * time, indicated thus ` (also called a empire).

Gary Turner and Brenton White

Gary Turner and Brenton White

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Class Sessions

1- INTRODUCTION 2- Chord Diagrams 3- Musical Terms 4- E Chord 5- Chords G And C 6- Turnaround Progression No.1 7- F Chord 8- Chords A7, D7 and E7* 9- Continuous Right Hand Movement 10- Alternating Chord 11- Blues in E 12- Note Summary: Open Position 13- The Time Signature 14- Chords A Minor and D Minor 15- Chords C Major 7 and F Major 7 16- Chords, A Major 7, D Major 7 and G Major 7 17- Chromatic Note Summary: First Position 18- B Minor Chord 19- Chords E6 and A6 20- Rock Chords 21- Suspended Chords: A Sus, D Sus and E Sus 22- The Hammer on 23- The Bar Chord 24- Progression in F 25- Bar Chord Progression 26- Root 6 Minor Bar 27- Two Bar Percussive Rhythm 28- Dominant 7th Bar Chord (Root 6) 29- Right Hand Deadening Technique 30- Staccato Strumming 31- Root 5 Bar Chord 32- Basic Patterns 33- Dampening Technique 34- Rock Chords 35- Root 5 Minor Bar Chord 36- Basic Turnaround Patterns 37- Right Hand Rhythm Technique 38- Left and Right Hand Rhythm 39- Dominant 7th Bar Chord - Root 5 40- Arpeggio Picking 41- Arpeggio Picking With Bass Note Runs 42- Minor 7th Chords 43- Major 6th Chords 44- Rock Rhythm 45- Time Signatures - Simple and Compound Time 46- Bar Chord Formations 47- Suspended Chords 48- Major Seventh Chords 49- Off Beat Rhythms 50- Ninth Chords 51- Augmented Chords 52- Diminished Chords 53- Root 6 Sixth Chords - Alternative Form 54- Dominant 7th Chord - Alternative 55- Sixteenth Note Rhythm 56- Tuning 57- Song List 58- Transposing 59- Groups 60- Minor Keys 61- GLOSSARY OF MUSICAL TERMS 62- Solid Body Electric 63- Right Arm Position 64- Trouble-Shooting 65- 12 Bar Blues 66- Tablature 67- Turnaround Progression No. 2 68- Alternative Chord Forms 69- Note And Rest Values 70- Bass Note Picking ( <span class="symbolA">^</span> Time ) 71- Bass Note Runs 72- Sixteenth Note Rhythm 73- Major 7 Progression 74- Progression in A 75- Triplet Rhythm 76- Blues in E 77- 12 Bar in A 78- G Major Scale 79- Hammer on Examples 80- The Percussive Strum (Bar Chords) 81- Key Signatures 82- Minor Bar Chord Progressions 83- Summary of Scales and Key Signatures 84- Rests in Music 85- Eighth Note Rests 86- 12 Bar in G 87- Chord Construction - Major 88- Reggae Rhythms 89- Arpeggio Variation 90- Chord Construction - Minor 91- Chord Construction Dominant 7th and Minor 7th Chords 92- Seventh Chords - Rock Form 93- Examples in Six Eight Time 94- Suspended Example 95- Chord Substitution 96- Root 6 Minor 6th 97- 12 Bar in D 98- Sixteenth Note Rhythm Variations 99- Tuning Hints 100- Sheet Music 101- The Capo 102- Chord Formula Chart 103- Other Books in The Progressive Series 104- Steel String Acoustic 105- Chord Progression 106- New Rhythm Patterns 107- Two Bar Rhythms 108- Bass Note Picking 109- The Chromatic Scale 110- Experiments in Bass Note Picking 111- Turnaround No. 1 in D 112- The Major Scale 113- Rock Chord Variation 114- The Pull Off 115- The Percussive Strum (Open Chords) 116- Section Two Summary 117- Jazz Blues in G 118- Section Three Summary 119- Electronic Tuner 120- Altered Chords 121- Seating 122- Pivot Finger 123- Rhythm Variations 124- Section One Summary 125- Extra Progressions 126- Extra Progressions 127- Scale Tone Chord 128- The Pick 129- Extra Progressions 130- Scale Tone Chord Extensions

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